【摘要】：唐代是中國古代墓葬壁畫發(fā)展的一個(gè)鼎盛時(shí)期。在這一時(shí)期,無論在墓葬壁畫的規(guī)模、創(chuàng)作數(shù)量,以及工藝水平上都是有史以來最高的。中國的色彩繪畫在唐代也達(dá)到了最高峰,古人對(duì)顏料的色感以及技法的應(yīng)用可謂取得了因地制宜和融合創(chuàng)新的效果。這不僅能讓韓休墓壁畫從紛繁的唐代社會(huì)生活所映射出的縮影中依舊光輝燦爛,還能讓觀者從古人對(duì)顏色的色感在創(chuàng)作與應(yīng)用上的講究中了解到唐代墓葬的思想觀念與宗教信仰。
[Abstract]:The Tang Dynasty was a heyday for the development of tomb murals in ancient China. During this period, it was the highest ever in terms of the size, quantity and craftsmanship of tomb murals. Chinese color painting also reached the peak in the Tang Dynasty, the ancients' color sense of pigment and the application of techniques can be said to have achieved local conditions and integration of innovative results. This not only allows the frescoes of Han Xiu Tomb to remain brilliant in the epitome of the complicated social life of the Tang Dynasty, It also enables the viewer to understand the thoughts and religious beliefs of Tang Dynasty tombs in the creation and application of the color feeling of the ancients.
【作者單位】： 西北大學(xué);
【分類號(hào)】：J218.6
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本文編號(hào)：2377490