【摘要】：梅清被稱為“黃山畫派巨子”,是黃山畫派的代表人物之一,以描繪黃山奇山、怪石、云海等真山實景為題材,并且也是描繪宣城地域山水的“宣城畫派”創(chuàng)始人。梅清作為明清之際“自我派”的代表人物,其山水作品多以描寫家鄉(xiāng)與黃山實景為題材,創(chuàng)作了大量的實景山水畫。為了更深刻的了解梅清實景山水畫的藝術(shù)成就及其對中國山水畫發(fā)展和實踐意義,本文在現(xiàn)有的研究基礎(chǔ)上,對梅清實景山水畫的形成做了進一步的發(fā)掘。文章從兩個角度對梅清實景山水畫進行探譯,一是對梅清宣城題材山水畫研究。首先了解梅清所處的地域文化及生活環(huán)境對其宣城題材實景山水畫的影響,并對梅清宣城題材實景山水畫進行圖式分析與研究。了解梅清宣城題材實景山水畫形成的原因。二是通過對梅清黃山題材實景山水畫的圖式研究。主要以對梅清黃山題材山水畫圖式特點以及構(gòu)圖形式兩大點對其歸納、研究,了解梅清畫面構(gòu)成的形式美感。另外,本文以梅清實景山水畫為著眼點,關(guān)照梅清實景山水畫所特有的時代意義,并藉此了解明末清初實景山水形成的原因。梅清的實景景山水畫開創(chuàng)了具有審美意識的山水畫新形式,具強烈的個人意識,令人耳目一新,為當代山水畫的創(chuàng)作起著重要的借鑒意義。
[Abstract]:Meiqing is known as the "Huangshan painting Giant", one of the representative figures of Huangshan painting School, to describe the Huangshan Qiishan, strange stone, Yunhai and other real mountains as the subject matter, and is also the founder of Xuancheng painting School depicting the Xuancheng region. Mei Qing, as a representative figure of "self-school" in Ming and Qing dynasties, created a large number of realistic landscape paintings with the theme of describing his hometown and Huangshan scenery. In order to get a deeper understanding of the artistic achievements of the real landscape painting in Meiqing and its significance to the development and practice of the Chinese landscape painting, this paper makes a further exploration on the formation of the real landscape painting in Meiqing on the basis of the existing research. This paper probes into the translation of Meiqing realistic landscape painting from two angles, one is the study of Meiqing Xuancheng theme landscape painting. First of all, to understand the impact of Meiqing's regional culture and living environment on its Xuancheng theme landscape painting, and the Meiqing Xuancheng theme landscape painting schemata analysis and research. Understand the Meiqing Xuancheng theme realistic landscape painting formation reasons. Secondly, through the study of the schemata of the real landscape paintings of Huangshan Mountain in Meiqing. This paper sums up and studies Meiqing Huangshan theme landscape painting pattern characteristics and composition form to understand the formal aesthetic feeling of Meiqing painting. In addition, this article takes the Meiqing realistic landscape painting as the starting point, takes care of the unique time significance of the Meiqing real landscape painting, and thus understands the causes of the formation of the real landscape in the late Ming and early Qing dynasties. Mei Qing's realistic landscape painting has created a new form of landscape painting with aesthetic consciousness and has strong personal consciousness. It is of great significance for the creation of contemporary landscape painting.
【學(xué)位授予單位】：渤海大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J212

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1 姜云;梅清實景山水畫圖式研究[D];渤海大學(xué);2017年

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本文編號：2376815