中國(guó)早期女性畫家—唐蘊(yùn)玉水彩畫藝術(shù)研究
發(fā)布時(shí)間：2018-12-13 07:27
【摘要】：唐蘊(yùn)玉(1906-1992)是民國(guó)時(shí)期在上海畫壇最為活躍的女性畫家之一,在上世紀(jì)20年代先后留學(xué)日本和法國(guó),印象派與后印象派的繪畫風(fēng)格對(duì)她有深刻影響。本文重點(diǎn)分析唐蘊(yùn)玉在上世紀(jì)50—60年代間創(chuàng)作的水彩畫,從描繪題材、技能技巧、情感表現(xiàn)以及風(fēng)格特點(diǎn)等角度進(jìn)行論證闡述,并且論述她藝術(shù)風(fēng)格形成的社會(huì)環(huán)境方面的、西方繪畫藝術(shù)方面的影響等諸多因素。以唐蘊(yùn)玉作為上世紀(jì)女性藝術(shù)家個(gè)案進(jìn)行研究,本文詣在發(fā)掘早期女性畫家在中國(guó)西畫發(fā)展過(guò)程中的影響及作用,對(duì)她所處的歷史階段及作品進(jìn)行再認(rèn)識(shí)。也給我們新時(shí)期的女性藝術(shù)家提供借鑒和學(xué)習(xí)。
[Abstract]:Tang Yunyu (1906-1992) was one of the most active female painters in Shanghai during the period of the Republic of China. She studied in Japan and France successively in the 1920s. The painting style of Impressionism and Post-Impressionism had a profound influence on her. This paper focuses on the analysis of the watercolor paintings created by Tang Yunyu in the 50-60 's of the last century, and discusses the social environment in which her artistic style is formed, from the angles of depicting subject matter, skill skills, emotional expression and style characteristics, etc. The influence of western painting art and many other factors. Taking Tang Yunyu as a case study of female artists in the last century, this paper explores the influence and role of early female painters in the development of Chinese western paintings, and reunderstands her historical stage and works. Also to our new period of female artists to provide reference and learning.
【學(xué)位授予單位】：內(nèi)蒙古師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J215
本文編號(hào)：2376149
[Abstract]:Tang Yunyu (1906-1992) was one of the most active female painters in Shanghai during the period of the Republic of China. She studied in Japan and France successively in the 1920s. The painting style of Impressionism and Post-Impressionism had a profound influence on her. This paper focuses on the analysis of the watercolor paintings created by Tang Yunyu in the 50-60 's of the last century, and discusses the social environment in which her artistic style is formed, from the angles of depicting subject matter, skill skills, emotional expression and style characteristics, etc. The influence of western painting art and many other factors. Taking Tang Yunyu as a case study of female artists in the last century, this paper explores the influence and role of early female painters in the development of Chinese western paintings, and reunderstands her historical stage and works. Also to our new period of female artists to provide reference and learning.
【學(xué)位授予單位】：內(nèi)蒙古師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J215
【參考文獻(xiàn)】
相關(guān)期刊論文 前5條
1 林正德;;被歷史遺忘的女畫家——追憶我的舅母唐蘊(yùn)玉[J];炎黃縱橫;2014年11期
2 王卓然;;中國(guó)洋畫運(yùn)動(dòng)中的都會(huì)風(fēng)景繪畫[J];美術(shù)研究;2013年04期
3 陳粵丹;;水彩風(fēng)景寫生的藝術(shù)感悟和思考[J];群文天地;2012年22期
4 李超;;唐蘊(yùn)玉油畫研究——20世紀(jì)前期留法與留日藝術(shù)的交匯[J];美術(shù)研究;2011年02期
5 陳瑞林;陳抱一和中國(guó)早期的油畫運(yùn)動(dòng)[J];美術(shù)研究;1986年02期
相關(guān)博士學(xué)位論文 前1條
1 王韌;上海洋畫運(yùn)動(dòng)研究（1913-1937）[D];上海大學(xué);2012年
相關(guān)碩士學(xué)位論文 前3條
1 小鳳;造化為師[D];內(nèi)蒙古師范大學(xué);2013年
2 申玲玲;關(guān)紫蘭繪畫藝術(shù)研究[D];內(nèi)蒙古師范大學(xué);2013年
3 楊培培;關(guān)紫蘭藝術(shù)觀及其創(chuàng)作研究[D];浙江理工大學(xué);2012年
，本文編號(hào)：2376149
本文鏈接：http://sikaile.net/wenyilunwen/huihuayishu/2376149.html
