【摘要】：本文第一章從解釋說(shuō)明版畫(huà)的“復(fù)數(shù)性”概念出發(fā),以徐冰老師提出“具有美學(xué)意義的復(fù)數(shù)性”觀點(diǎn)來(lái)探討版畫(huà)“復(fù)數(shù)性”中可能存在的差異性。第二章重點(diǎn)引用版畫(huà)發(fā)展史中有影響的藝術(shù)家、版畫(huà)家創(chuàng)作出的具有“復(fù)數(shù)性中的差異性”作品來(lái)進(jìn)行說(shuō)明。第三章則通過(guò)表格的形式來(lái)分析版畫(huà)史中有差異性作品,并結(jié)合自己的創(chuàng)作。第四章則通過(guò)分析同一性與多樣性,德勒茲的(差異與重復(fù)),以及本雅明的《機(jī)械復(fù)制時(shí)代的藝術(shù)作品》來(lái)證明版畫(huà)“復(fù)數(shù)性中的差異性”特征在創(chuàng)作中具有的美學(xué)價(jià)值。本論題所涉及的關(guān)于版畫(huà)“復(fù)數(shù)性中的差異性”特征的論述,建立在傳統(tǒng)版畫(huà)的復(fù)數(shù)性概念的認(rèn)識(shí)基礎(chǔ)之上,從“手工性”角度出發(fā),以版畫(huà)的時(shí)間性特征和其空間性思維相結(jié)合,并聯(lián)系到主題,利用版畫(huà)“復(fù)數(shù)性中的差異性”特征進(jìn)行創(chuàng)作,尋找拓寬當(dāng)代版畫(huà)創(chuàng)作方式的可能性。
[Abstract]:In the first chapter, from explaining the concept of "plural" of printmaking, using the viewpoint of "plural with aesthetic significance" put forward by Xu Bing, this paper discusses the possible differences in "plural" of printmaking. The second chapter mainly refers to the influential artists and printmakers in the history of printmaking. The third chapter analyzes the different works in the history of printmaking through the form of tables, and combines his own creation. In the fourth chapter, by analyzing identity and diversity, Deleuze's (difference and repetition), and Benjamin's works of Art in the Age of Mechanical replication, the author proves the aesthetic value of the feature of "difference in the plural" of printmaking. The discussion on the characteristics of "difference in plural number" of printmaking in this thesis is based on the understanding of the concept of plural number of traditional printmaking, and from the angle of "artisanal". By combining the temporal features of print with its spatial thinking and connecting with the theme, the author makes use of the feature of "difference in plural number" in print to explore the possibility of broadening the creative mode of contemporary print.
【學(xué)位授予單位】：中央美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J217

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本文編號(hào)：2362757