觀看的哲學(xué)—賈科梅蒂繪畫的形式與語言研究
發(fā)布時間:2018-11-28 11:32
【摘要】:阿爾貝托·賈科梅蒂是(Alberto Giacometti)(1901-1966)是瑞士籍藝術(shù)家,長期在法國生活,其獨特的繪畫表現(xiàn)形式和個性化的藝術(shù)語言使其成為二十世紀西方最著名具象表現(xiàn)藝術(shù)家之一。本文主要從賈科梅蒂的童年經(jīng)歷和藝術(shù)歷程入手,具體分析賈科梅蒂對藝術(shù)獨具個性的生命認知體驗和對繪畫空間的個性營造,進而引出賈科梅蒂繪畫創(chuàng)作的獨特觀看方式,這種獨特的觀看方式正是賈科梅蒂藝術(shù)語言的形成的重要因素。他獨特的觀看方式不僅和其童年的認知體驗、生活經(jīng)歷、藝術(shù)生涯息息相關(guān),同時也和其哲學(xué)理念密不可分。本文就其觀看方式和其藝術(shù)語言的關(guān)系展開重點論述,并就其藝術(shù)對中國當(dāng)代油畫和本人創(chuàng)作的影響也展開相關(guān)闡述。
[Abstract]:Alberto Giacometti (Alberto Giacometti) (1901-1966) is a Swiss artist who has lived in France for a long time. His unique painting form and individualized artistic language make him one of the most famous figurative artists in the 20th century in the West. This article mainly starts with Giacometti's childhood experience and artistic process, and analyzes his life cognition experience of art unique personality and personality construction of painting space, and then leads to the unique viewing mode of Giacometti's painting creation. This unique way of viewing is an important factor in the formation of Giacometti's artistic language. His unique viewing style is not only closely related to his childhood cognitive experience, life experience and artistic career, but also closely related to his philosophy. This paper focuses on the relationship between its viewing style and its artistic language, and the influence of its art on Chinese contemporary oil painting and his own creation.
【學(xué)位授予單位】:北京服裝學(xué)院
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2017
【分類號】:J205
本文編號:2362706
[Abstract]:Alberto Giacometti (Alberto Giacometti) (1901-1966) is a Swiss artist who has lived in France for a long time. His unique painting form and individualized artistic language make him one of the most famous figurative artists in the 20th century in the West. This article mainly starts with Giacometti's childhood experience and artistic process, and analyzes his life cognition experience of art unique personality and personality construction of painting space, and then leads to the unique viewing mode of Giacometti's painting creation. This unique way of viewing is an important factor in the formation of Giacometti's artistic language. His unique viewing style is not only closely related to his childhood cognitive experience, life experience and artistic career, but also closely related to his philosophy. This paper focuses on the relationship between its viewing style and its artistic language, and the influence of its art on Chinese contemporary oil painting and his own creation.
【學(xué)位授予單位】:北京服裝學(xué)院
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2017
【分類號】:J205
【參考文獻】
相關(guān)期刊論文 前3條
1 布魯斯·勞頓;沈瑩;;賈科梅蒂最后的瘋狂——描繪卡羅琳的畫作[J];世界美術(shù);2010年03期
2 李婷;;直觀和現(xiàn)象——賈科梅蒂的視覺概觀[J];同濟大學(xué)學(xué)報(社會科學(xué)版);2007年06期
3 朱祖德;阿爾貝托·賈科梅蒂自述[J];世界美術(shù);1989年01期
,本文編號:2362706
本文鏈接:http://sikaile.net/wenyilunwen/huihuayishu/2362706.html