王詵《漁村小雪圖》研究
發(fā)布時間：2018-11-15 10:21
【摘要】：王詵是北宋時期的重要畫家。作為宋神宗的駙馬,他擁有一流的才學與繪畫天賦。同時,他又是當時的文壇領袖、文人畫理論的奠基人蘇軾深交的好友。其繪畫在當時得到了文人們的廣泛贊賞。但在后世“南北宗論”的評價體系中,雖然他在繪畫上多作文人景色,其在技法上所承襲的卻是被視作是“北宗”末流的重彩繪畫法。故而其在晚明文人畫的評價體系中地位頗顯尷尬,時而被歸為“南宗”,時而又被歸入“北宗”。于是,一個值得討論的問題便被引申出來了:王詵的畫是文人畫嗎?本文認為,要回答這個問題,最好的方法便是從王詵的作品中去尋找答案。而理解一件藝術品最好的方式,便是回到藝術作品制作法和觀看當中去。所以,本文首先通過梳理北宋時期早期文人畫的基本理論,還原早期文人畫的原有面貌,用以了解王詵時代文人們的視覺旨趣。在此基礎上,本文通過梳理王詵之前的中國山水畫形式流變與工具材料,窺探王詵在創(chuàng)作時的形式選擇與材料運用。最后,本文聚焦王詵流傳至今最為可信的作品《漁村小雪圖》,在制作法與觀看兩個層面進行分析,從而嘗試復原王詵的創(chuàng)作構思。通過將其創(chuàng)作構思與蘇軾等早期文人畫奠基者的理論進行對照,我們或許可以更為清晰地認識到王詵在早期文人畫發(fā)展過程中的獨特地位。
[Abstract]:Wang Shen was an important painter in the Northern Song Dynasty. As the son-in-law of Song Shenzong, he has first-class talent and painting talent. At the same time, he was the literary leader and close friend of Su Shi, the founder of literati painting theory. His paintings were widely appreciated by the literati at that time. However, in the evaluation system of "North and South sect", although he wrote more people scenery in painting, his technique was regarded as the repainting method of "Beizong". Therefore, his position in the evaluation system of literati paintings in the late Ming Dynasty is rather awkward, sometimes classified as "South Zong" and sometimes classified as "North Zong". Thus, a question worthy of discussion was extended: is Wang Shen's painting a literati painting? The best way to answer this question is to find out from Wang Shen's works. The best way to understand a piece of art is to go back to art making and viewing. Therefore, this paper firstly combs the basic theory of the early literati painting in the Northern Song Dynasty, restores the original appearance of the early literati painting, in order to understand the visual purport of the literati in Wang Shen's time. On this basis, this paper explores Wang Shen's choice of form and application of materials in his creation by combing the changes of Chinese landscape painting forms and tools before Wang Shen. Finally, this article focuses on Wang Shen's most credible work, "the fishing Village Lesser Snow Picture", and analyzes it at the two levels of making method and watching, so as to try to restore Wang Shen's creative conception. By comparing his creative conception with the theories of the founders of the early literati paintings such as Su Shi, we may have a clearer understanding of the unique position of Wang Shen in the development of early literati paintings.
【學位授予單位】：廣州美術學院
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J212
本文編號：2333022
[Abstract]:Wang Shen was an important painter in the Northern Song Dynasty. As the son-in-law of Song Shenzong, he has first-class talent and painting talent. At the same time, he was the literary leader and close friend of Su Shi, the founder of literati painting theory. His paintings were widely appreciated by the literati at that time. However, in the evaluation system of "North and South sect", although he wrote more people scenery in painting, his technique was regarded as the repainting method of "Beizong". Therefore, his position in the evaluation system of literati paintings in the late Ming Dynasty is rather awkward, sometimes classified as "South Zong" and sometimes classified as "North Zong". Thus, a question worthy of discussion was extended: is Wang Shen's painting a literati painting? The best way to answer this question is to find out from Wang Shen's works. The best way to understand a piece of art is to go back to art making and viewing. Therefore, this paper firstly combs the basic theory of the early literati painting in the Northern Song Dynasty, restores the original appearance of the early literati painting, in order to understand the visual purport of the literati in Wang Shen's time. On this basis, this paper explores Wang Shen's choice of form and application of materials in his creation by combing the changes of Chinese landscape painting forms and tools before Wang Shen. Finally, this article focuses on Wang Shen's most credible work, "the fishing Village Lesser Snow Picture", and analyzes it at the two levels of making method and watching, so as to try to restore Wang Shen's creative conception. By comparing his creative conception with the theories of the founders of the early literati paintings such as Su Shi, we may have a clearer understanding of the unique position of Wang Shen in the development of early literati paintings.
【學位授予單位】：廣州美術學院
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J212
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，本文編號：2333022
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