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談對(duì)水彩靜物創(chuàng)作的思考

發(fā)布時(shí)間:2018-11-15 10:06
【摘要】:現(xiàn)代水彩藝術(shù)起源于西方,傳入中國(guó)已近百年,近些年來(lái),中國(guó)藝術(shù)活動(dòng)氛圍比過(guò)去任何時(shí)候都更加活躍,水彩藝術(shù)也漸形成多元化發(fā)展形勢(shì),在技法表現(xiàn)方面通過(guò)幾代畫(huà)家的不懈努力已經(jīng)日臻完善,而以靜物為題材的繪畫(huà)作品也展現(xiàn)出多樣的發(fā)展面貌。 本文關(guān)注的問(wèn)題是如何在水彩創(chuàng)作中進(jìn)行深入的思考,通過(guò)水彩靜物創(chuàng)作的實(shí)踐與體會(huì),我們將以靜物繪畫(huà)為指引,發(fā)掘水彩藝術(shù)創(chuàng)作觀念、意識(shí),以此論述自己在水彩靜物創(chuàng)作中的認(rèn)識(shí)和感悟。
[Abstract]:Modern watercolor art originated in the West and has been introduced into China for nearly 100 years. In recent years, the atmosphere of Chinese art activities has become more active than ever before, and the watercolor art has gradually formed a diversified development situation. Through the unremitting efforts of several generations of painters, the painting works with the theme of still life also show various development features. This article concerns the question how to carry on the thorough ponder in the watercolor creation, through the watercolor still life creation practice and the experience, we will take the still life painting as the guide, excavates the watercolor artistic creation idea, the consciousness, This paper discusses his own understanding and perception in the creation of watercolor still life.
【學(xué)位授予單位】:湖南師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2013
【分類號(hào)】:J215

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 曹?chē)?guó)洪;;當(dāng)代水彩發(fā)展滯后因素的分析與研究[J];大舞臺(tái);2010年12期

2 韓立新;;水彩的起源探索與發(fā)現(xiàn)[J];遼寧經(jīng)濟(jì)職業(yè)技術(shù)學(xué)院(遼寧經(jīng)濟(jì)管理干部學(xué)院學(xué)報(bào));2007年02期

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