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淺析吳鎮(zhèn)山水畫的渾穆與淋漓之美——以《雙檜圖》與《松泉圖》為例

發(fā)布時(shí)間:2018-11-15 08:02
【摘要】:正吳鎮(zhèn)是元代著名的山水畫家,他的山水畫綜合了五代兩宋以及元初多位畫家的畫風(fēng),在他的作品中既有后代文人畫家廣泛推重的董源、巨然的技法,又有馬遠(yuǎn)、夏圭等"北宗"畫家的風(fēng)格,同時(shí)還具備文人繪畫的審美意趣。吳鎮(zhèn)偏于古典的畫風(fēng)在元代非常突出,他對(duì)于宋代山水深重風(fēng)格的繼承使得其作品產(chǎn)生了古雅而深厚的力量;而他時(shí)常使用的率意瀟灑的用筆以及對(duì)于水
[Abstract]:Zheng Wu Zhen was a famous landscape painter in Yuan Dynasty. His landscape paintings integrated the painting styles of many painters in the five dynasties and two Song dynasties as well as in the early Yuan Dynasty. In his works, there were Dong Yuan, who was widely valued by later generations of literati painters, and Ma Yuan as well as Ma Yuan. Xia Gui and other Painters of Beizong also have the aesthetic interest of literati painting. Wu Zhen's classical painting style was very prominent in the Yuan Dynasty. His inheritance of the deep style of the landscape in the Song Dynasty made his works produce ancient and profound power, and he often used the rate of natural pen and the water.
【作者單位】: 山東大學(xué)(威海)藝術(shù)學(xué)院;
【分類號(hào)】:J212

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