論宋文治山水畫流變
發(fā)布時(shí)間:2018-11-15 07:20
【摘要】:宋文治,作為20世紀(jì)中國(guó)山水畫壇上杰出的畫家,他的藝術(shù)思想、藝術(shù)風(fēng)格、藝術(shù)成就已成為當(dāng)代藝術(shù)家學(xué)習(xí)的榜樣。 宋文治從“四王”入手,上溯宋元。他的作品多清秀潤(rùn)澤,以表現(xiàn)江南水鄉(xiāng)情韻味最擅長(zhǎng)。水墨為詩(shī)骨,參以色彩渲染,明艷動(dòng)人。寫生的積累成就了他雄放剛健的繪畫風(fēng)格。晚年創(chuàng)作的“小潑彩”,以自然流淌的色彩肌理為基礎(chǔ),略施筆墨,收拾加工,,成為妙趣天成且具有現(xiàn)代感的新意象山水。隨著時(shí)代的變遷,宋文治的山水畫風(fēng)格逐漸展現(xiàn)為:清新雋秀的“細(xì)宋”風(fēng)格、豪放勁健的“粗宋”風(fēng)格、別具一格的“小潑彩”風(fēng)格。這三種風(fēng)格時(shí)代性強(qiáng),特點(diǎn)鮮明,各領(lǐng)風(fēng)騷。 把“山水畫流變”作為一條主線,從宋文治的山水畫創(chuàng)作出發(fā),探析其山水畫流變的個(gè)人主觀原因和時(shí)代背景,結(jié)合他各個(gè)時(shí)期的代表作品,從多個(gè)角度進(jìn)行分析、對(duì)比、歸納,尋找其不同作品風(fēng)貌中展現(xiàn)的不同特質(zhì),進(jìn)而闡述宋文治的山水畫創(chuàng)作歷程對(duì)于新金陵畫派崇拜者的指導(dǎo)性作用以及其在20世紀(jì)山水畫史上的重要地位。
[Abstract]:Song Wenzhi, as an outstanding painter in Chinese landscape painting in the 20th century, has become an example for contemporary artists to learn from his artistic thought, style and achievement. Song Wenzhi from the "four kings", go back to the Song and Yuan dynasties. His works more elegant Runze, to show the south of the Yangtze River waterborne charm is the best. Ink for the poem bone, with color rendering, bright and moving. The accumulation of sketches made his vigorous painting style. In his later years, "small splash of color", based on the natural flowing color texture, a little brush and ink, cleaning up and processing, has become a wonderful natural and modern new image of landscape. With the change of the times, Song Wenzhi's landscape painting style is gradually displayed as follows: fresh and elegant style of "fine song", bold and vigorous style of "rough song", and unique style of "small splashy color". These three styles of the times strong, distinctive characteristics, each leading coquettish. Taking "the evolution of landscape painting" as a main line, starting from the creation of landscape painting by Song Wenzhi, this paper analyzes the personal subjective reasons and the background of the evolution of his landscape painting, and combines his representative works of various periods to analyze and contrast it from various angles. To sum up, to find the different characteristics of his different works, and then to explain the guiding role of Song Wenzhi's landscape painting creation process to the admirers of New Jinling painting School and its important position in the history of landscape painting in the 20th century.
【學(xué)位授予單位】:渤海大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2013
【分類號(hào)】:J212
本文編號(hào):2332544
[Abstract]:Song Wenzhi, as an outstanding painter in Chinese landscape painting in the 20th century, has become an example for contemporary artists to learn from his artistic thought, style and achievement. Song Wenzhi from the "four kings", go back to the Song and Yuan dynasties. His works more elegant Runze, to show the south of the Yangtze River waterborne charm is the best. Ink for the poem bone, with color rendering, bright and moving. The accumulation of sketches made his vigorous painting style. In his later years, "small splash of color", based on the natural flowing color texture, a little brush and ink, cleaning up and processing, has become a wonderful natural and modern new image of landscape. With the change of the times, Song Wenzhi's landscape painting style is gradually displayed as follows: fresh and elegant style of "fine song", bold and vigorous style of "rough song", and unique style of "small splashy color". These three styles of the times strong, distinctive characteristics, each leading coquettish. Taking "the evolution of landscape painting" as a main line, starting from the creation of landscape painting by Song Wenzhi, this paper analyzes the personal subjective reasons and the background of the evolution of his landscape painting, and combines his representative works of various periods to analyze and contrast it from various angles. To sum up, to find the different characteristics of his different works, and then to explain the guiding role of Song Wenzhi's landscape painting creation process to the admirers of New Jinling painting School and its important position in the history of landscape painting in the 20th century.
【學(xué)位授予單位】:渤海大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2013
【分類號(hào)】:J212
【參考文獻(xiàn)】
相關(guān)期刊論文 前10條
1 宋祖蔭;;著名國(guó)畫家宋文治先生銅像落成[J];江蘇政協(xié);2000年04期
2 梁溪;宋文治藝術(shù)館——吳中勝跡[J];吳中學(xué)刊;1997年01期
3 施國(guó)芬;宋文治[J];檔案與建設(shè);2003年09期
4 黃小我;;此身應(yīng)是江南客——宋文治山水小讀[J];福建藝術(shù);2007年02期
5 邢少蘭;;我與朱屺瞻、宋文治先生的交往[J];鐘山風(fēng)雨;2010年01期
6 黃苗子;;宋文治的山水畫[J];國(guó)畫家;1995年05期
7 李普文;;春風(fēng)又綠江南岸——宋文治江南繪畫論[J];美苑;2005年06期
8 王舒;;杏花·春雨·江南——宋文治《江南》欣賞[J];老年教育(書(shū)畫藝術(shù));2009年04期
9 包立民;宋文治的藝術(shù)道路[J];美術(shù);1991年10期
10 馬鴻增;;宋文治與新金陵畫派[J];美術(shù);2009年09期
本文編號(hào):2332544
本文鏈接:http://sikaile.net/wenyilunwen/huihuayishu/2332544.html