【摘要】：本文搜集到分藏于各博物館和單位以及散佚的羅漢圖軸14件,因筆墨、款署、風(fēng)格、材質(zhì)、尺寸一致或非常接近,研究認(rèn)定原應(yīng)屬同一套十八羅漢圖。為研究其畫史意義,首先對(duì)十八羅漢的圖示源流進(jìn)行梳理,并統(tǒng)計(jì)和分析了宋元時(shí)期存世的十六和十八羅漢圖,然后對(duì)這14幅羅漢圖逐一從名稱、畫法、流傳等方面進(jìn)行考察,再對(duì)比同期的羅漢圖,認(rèn)為這套羅漢圖是存世唯一一套有明確紀(jì)年的元代十八羅漢圖,且是沒有摹寫母本的新創(chuàng)作,可能是寧波地區(qū)的職業(yè)畫家根據(jù)民間信仰所繪制的一套水陸畫。
[Abstract]:In this paper, 14 pieces of Luo Han's drawings, which are collected in various museums and units and lost, are found to belong to the same set of eighteen arhats because of the same style, material, size, or similarity of pen and ink, section, style, material and size. In order to study the historical significance of his paintings, the origin and stream of the pictorial figures of the eighteen Arhats are first combed, and the sixteen and eighteen Arhat drawings of the Song and Yuan dynasties are statistically and analytically analyzed. Then, the 14 drawings of Luo Han are examined one by one from the aspects of name, drawing method, circulation, and so on. Comparing with Luo Han's pictures of the same period, he thinks that this set of Luo Han pictures is the only one of the eighteen Arhats of the Yuan Dynasty with a definite chronology in existence, and that it is a new creation without a copy of the mother book. It may be a set of waterfront paintings drawn by professional painters in Ningbo area according to folk beliefs.
【作者單位】： 南京大學(xué)歷史學(xué)院;
【分類號(hào)】：J209
，

本文編號(hào)：2328325