【摘要】：建立在心學(xué)和禪宗基礎(chǔ)的南北宗論,是與董其昌不斷觀摩古畫(huà)和驗(yàn)證其繪畫(huà)實(shí)踐緊密相連的。他認(rèn)為臨古畫(huà)須不拘于形似,應(yīng)學(xué)其神韻,方得出藍(lán)之勝;他提出"模古"以求與古人之"合"的途徑是"變",故"模古"的本質(zhì)乃是托古出新,本文旨在通過(guò)他對(duì)王維、董源、黃公望風(fēng)格的闡釋及其作品的解析來(lái)具體探討董其昌的"模古"之道。
[Abstract]:The theory of North and South Buddhism, which is based on the study of mind and Zen, is closely related to Dong Qichang's continuous observation of ancient paintings and the verification of his painting practice. He thought that the Lin ancient painting must not be in the shape resemblance, should learn its charm, only then obtains the blue victory; He put forward that the way of "Mogu" in order to "combine" with the ancients is to "change", so the essence of "Mogu" is to produce new from Togu. The purpose of this paper is to make use of his views on Wang Wei and Dong Yuan. The explanation of Huang Gongwang's style and the analysis of his works are to discuss Dong Qichang's the way of "model ancient".
【作者單位】： 華東師范大學(xué)美術(shù)學(xué)院;
【分類(lèi)號(hào)】：J212

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