秋天的朦朧美在我繪畫中的表現(xiàn)
發(fā)布時間：2018-11-12 06:55
【摘要】：中國畫是中國傳統(tǒng)的藝術形式,其特有的民族審美意識與藝術底蘊具有不可替代的文化價值,并一直延續(xù)至今。基于此,新時代的中國畫就需要藝術家們在不斷繼承和深研傳統(tǒng)的同時,注入更多富有時代精神的視覺符號和新鮮血液。作為中國畫人物方向的研究生,努力創(chuàng)作出具有時代氣息的作品是我們的責任,也是時代賦予我們的新的機會和挑戰(zhàn)。本文結合我對自然的感知,對生活的體會,以記憶深處的美為切入點,表達我對秋天的朦朧美的喜愛。人生不過一般風雨,一半晴天,四季輪回是矛盾的統(tǒng)一,層林盡染是歲月的沉香,秋意朦朧如鏡澄明,寫盡興衰,不悲不喜。從自然得秋天到對秋意的體悟,心情隨著理解的深入幻化出不同的表達方式,可以是悲憫,可以是喜悅,正如蹁躚的蝴蝶,盤旋中感知秋的深層意蘊。正如一句古話,前人栽樹,后人乘涼。很多優(yōu)秀的畫家通過自身對生活的觀察,創(chuàng)作出眾多與秋天相關的上乘作品。田埂上的野趣、樹下的安詳,以及花間的物語,在藝術家筆下顯得深沉、踏實,值得后人學習。這種秋天的朦朧美對我的繪畫創(chuàng)作具有重要影響,通過分析與研究秋天的朦朧美,使我更好地學習了傳統(tǒng)的繪畫語言,并在傳統(tǒng)的基礎上賦予生活給我的新的感受,創(chuàng)新圖式、激活構思、靈活揮灑、感悟人生,在墨與色、虛與實、落紅與情思之間探尋中國畫獨特的藝術魅力。不求在藝術領域做出多么重大的貢獻,但求在不斷創(chuàng)作過程中,發(fā)掘、體悟個人的人生態(tài)度與生活哲思,以小小之我見帶來不同的視覺體驗。本文主體共分為五部分:前言部分對秋天進行了簡要概述,并說明了我選題的原因。第一章主要從自然中秋天的美展開,進一步說明我對秋意美的體悟即朦朧美。第二章通過舉例分析了秋天的朦朧美,分別是朦朧美的深邃溫婉、朦朧美的溫情細膩、朦朧美的詩化韻味。第三章是寫我自己的創(chuàng)作。從構思、視覺效果、意境三方面分析了秋天的朦朧美在我創(chuàng)作中的表現(xiàn)。最后是我對整篇論文的一個總結。
[Abstract]:Chinese painting is the traditional art form of China, its unique national aesthetic consciousness and artistic background have irreplaceable cultural value, and continue to this day. Based on this, the Chinese painting of the new era requires artists to inject more visual symbols and fresh blood of the spirit of the times while inheriting and deeply studying the tradition. As a graduate student in the direction of Chinese painting, it is our responsibility and new opportunity and challenge to create the works with the flavor of the times. This article combines my perception of nature and my experience of life to express my love of autumn's obscurity with the deep beauty of memory as the starting point. Life is a general wind and rain, half sunny day, four seasons cycle is the unity of contradictions, layer forest dye is the years, autumn dim like mirror clear, write all rise and fall, not sad not happy. From the natural autumn to the understanding of the autumn, the mood with the understanding of the depth of disillusionment out of different expressions, can be compassion, can be happy, just like the butterflies fluttering, the deep meaning of perception of autumn in the hovering. As an old saying goes, forebears plant trees and later generations take advantage of the cold. Through their own observation of life, many excellent painters have created many excellent works related to autumn. The wild interest on the ridge of the field, the serenity under the tree, and the libretto among the flowers are deep and steadfast in the works of the artist, and are worth learning from later generations. This kind of hazy beauty of autumn has an important influence on my painting creation. By analyzing and studying the hazy beauty of autumn, I have learned the traditional painting language better, and on the basis of tradition, I have given my life a new feeling and innovative schemata. Activate the idea, flexibly wield, realize the life, explore the unique artistic charm of Chinese painting between ink and color, deficiency and reality, falling red and feeling. Not to make great contributions in the field of art, but to explore and understand the personal attitude and philosophy of life in the process of continuous creation, and to bring different visual experiences to small personal views. The main body of this paper is divided into five parts: the foreword gives a brief overview of autumn and explains the reason why I selected this topic. The first chapter mainly starts from the beauty of autumn in nature, and further explains my understanding of the beauty of autumn meaning, that is, hazy beauty. The second chapter analyzes the hazy beauty of autumn with examples, which are the deep and gentle beauty, the tender feeling and the poetic charm of hazy beauty. The third chapter is about my own creation. From the conception, visual effect and artistic conception, this paper analyzes the expression of the hazy beauty of autumn in my creation. Finally, I have a summary of the whole paper.
【學位授予單位】：山東師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J212
本文編號：2326372
[Abstract]:Chinese painting is the traditional art form of China, its unique national aesthetic consciousness and artistic background have irreplaceable cultural value, and continue to this day. Based on this, the Chinese painting of the new era requires artists to inject more visual symbols and fresh blood of the spirit of the times while inheriting and deeply studying the tradition. As a graduate student in the direction of Chinese painting, it is our responsibility and new opportunity and challenge to create the works with the flavor of the times. This article combines my perception of nature and my experience of life to express my love of autumn's obscurity with the deep beauty of memory as the starting point. Life is a general wind and rain, half sunny day, four seasons cycle is the unity of contradictions, layer forest dye is the years, autumn dim like mirror clear, write all rise and fall, not sad not happy. From the natural autumn to the understanding of the autumn, the mood with the understanding of the depth of disillusionment out of different expressions, can be compassion, can be happy, just like the butterflies fluttering, the deep meaning of perception of autumn in the hovering. As an old saying goes, forebears plant trees and later generations take advantage of the cold. Through their own observation of life, many excellent painters have created many excellent works related to autumn. The wild interest on the ridge of the field, the serenity under the tree, and the libretto among the flowers are deep and steadfast in the works of the artist, and are worth learning from later generations. This kind of hazy beauty of autumn has an important influence on my painting creation. By analyzing and studying the hazy beauty of autumn, I have learned the traditional painting language better, and on the basis of tradition, I have given my life a new feeling and innovative schemata. Activate the idea, flexibly wield, realize the life, explore the unique artistic charm of Chinese painting between ink and color, deficiency and reality, falling red and feeling. Not to make great contributions in the field of art, but to explore and understand the personal attitude and philosophy of life in the process of continuous creation, and to bring different visual experiences to small personal views. The main body of this paper is divided into five parts: the foreword gives a brief overview of autumn and explains the reason why I selected this topic. The first chapter mainly starts from the beauty of autumn in nature, and further explains my understanding of the beauty of autumn meaning, that is, hazy beauty. The second chapter analyzes the hazy beauty of autumn with examples, which are the deep and gentle beauty, the tender feeling and the poetic charm of hazy beauty. The third chapter is about my own creation. From the conception, visual effect and artistic conception, this paper analyzes the expression of the hazy beauty of autumn in my creation. Finally, I have a summary of the whole paper.
【學位授予單位】：山東師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J212
【參考文獻】
相關博士學位論文 前1條
1 蔡青;新中國“十七年”中國畫研究[D];中國藝術研究院;2007年
相關碩士學位論文 前2條
1 趙東;論中國畫畫風中的朦朧體格[D];中央民族大學;2006年
2 丁素玫;論中國畫的朦朧美[D];西安美術學院;2007年
，本文編號：2326372
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