山川無
發(fā)布時間:2018-11-11 21:46
【摘要】:正2016年11月25日,由中國美術家協(xié)會、廣東省美術家協(xié)會、廣東美術館聯(lián)合主辦的山川無盡——羅一平水墨山水畫展在廣東美術館開幕。該展由山川、樹林、小品三大板塊構成,其中分為“境域系列”、“鼎湖山系列”、“三清山系列”、“滇川系列”、“馬爾代夫系列”、“小品系列”,是繼2013年廣州藝術博物院舉辦的岫·遠意——羅一平山水作品展后又一個展。2013年展出的作品是他在廣東美術館工作間隙中斷斷續(xù)續(xù)創(chuàng)作而成,多畫心中的山、理想的山,對傳統(tǒng)圖式的演繹大于對現(xiàn)實山川的感悟與再創(chuàng)造;本次在廣東美術館展出的作
[Abstract]:On November 25, 2016, the Chinese artists Association, the Guangdong artists Association, and the Guangdong Art Museum jointly sponsored the exhibition of endless mountains and rivers-painting exhibition by Luo Yiping in Guangdong Art Museum. The exhibition is composed of three major plates: mountains, forests and sketches, which are divided into three parts, namely, "Sea area Series", "Dinghushan Series", "Sanqing Mountain Series", "Yunnan and Sichuan Series", "Maldives Series" and "short essay Series". It is another exhibition after Xiu Yuanyi-Luo Yiping's works of landscape, held by Guangzhou Art Museum in 2013. The work on display in 2013 is his intermittent creation in the gap of work of Guangdong Art Museum, with more paintings of mountains in mind and ideal mountains. The deduction of traditional schemata is greater than the perception and re-creation of realistic mountains and rivers. This exhibition at the Guangdong Art Museum
本文編號:2326227
[Abstract]:On November 25, 2016, the Chinese artists Association, the Guangdong artists Association, and the Guangdong Art Museum jointly sponsored the exhibition of endless mountains and rivers-painting exhibition by Luo Yiping in Guangdong Art Museum. The exhibition is composed of three major plates: mountains, forests and sketches, which are divided into three parts, namely, "Sea area Series", "Dinghushan Series", "Sanqing Mountain Series", "Yunnan and Sichuan Series", "Maldives Series" and "short essay Series". It is another exhibition after Xiu Yuanyi-Luo Yiping's works of landscape, held by Guangzhou Art Museum in 2013. The work on display in 2013 is his intermittent creation in the gap of work of Guangdong Art Museum, with more paintings of mountains in mind and ideal mountains. The deduction of traditional schemata is greater than the perception and re-creation of realistic mountains and rivers. This exhibition at the Guangdong Art Museum
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