【摘要】：明代統(tǒng)治者對程朱理學(xué)非常推崇,但是在思想方面卻采取高壓態(tài)勢對待當(dāng)時的畫家文人,這也導(dǎo)致后者雖然胸懷遠(yuǎn)大的理想和抱負(fù),但卻憚于抒發(fā)自己的思想和見解,不可能施展自己的才華。在這種情況下他們只能以琴棋書畫表達(dá)自己的志向,寄情于山水之間。它在很大程度上吻合了茶事與茶文化的獨(dú)特思想。筆者首先論述了明代畫家所面臨的時代背景,然后列舉了若干以茶入畫的代表作品,分析它們營造出來的藝術(shù)境界。希望能夠為相關(guān)人員提供有益的參考和借鑒。
[Abstract]:The rulers of the Ming Dynasty highly respected the Neo-Confucianism of Cheng and Zhu, but they took a high-pressure attitude towards the painters of the time, which also led to the latter's lofty ideals and aspirations, but he was afraid to express his own thoughts and opinions. It is impossible to display one's talent. In this case, they can only use Qin Qi calligraphy and painting to express their aspirations, send feelings between mountains and rivers. To a great extent, it coincides with the unique idea of tea affair and tea culture. The author first discusses the background of the times faced by the Ming Dynasty painters, and then enumerates some representative works of painting with tea, and analyzes the artistic realm they create. Hope to be able to provide relevant personnel with useful reference and reference.
【作者單位】： 河北民族師范學(xué)院美術(shù)與設(shè)計學(xué)院;
【分類號】：J212;TS971

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