【摘要】：元代是文人畫盛行的歷史時(shí)期，水墨梅竹蘭石成為文人畫中的重要題材。文人畫家借助這些題材抒情寄興，表達(dá)了清新高遠(yuǎn)的理想與情懷。王冕作為元代文人畫家中的一員，以畫墨梅著稱，在繼承宋代的釋仲仁和揚(yáng)無(wú)咎的基礎(chǔ)上自創(chuàng)繁花密蕊的墨梅新畫風(fēng)，，對(duì)后世產(chǎn)生重要的影響。本文通過(guò)對(duì)王冕的時(shí)代與他的創(chuàng)作的回顧，總結(jié)出王冕繪畫風(fēng)格的演變，重點(diǎn)探討了其繪畫藝術(shù)的繼承與創(chuàng)新，并且認(rèn)為，王冕通過(guò)創(chuàng)造性的藝術(shù)實(shí)踐，拓展了傳統(tǒng)文人繪畫藝術(shù)的新途徑，將詩(shī)、書、畫、印熔于一爐，渾然天成。這種藝術(shù)創(chuàng)新，奠定了王冕在元代獨(dú)特的藝術(shù)地位。
[Abstract]:The Yuan Dynasty was the historical period in which literati paintings prevailed, and the ink-water, plum, bamboo, orchid and stone became important subjects in literati paintings. With the help of these themes, literati painters express their fresh and lofty ideals and feelings. As a member of the literati painters of Yuan Dynasty, Wang Mian is famous for painting Mo Mei. On the basis of inheriting the explanation Zhong Ren and Yang of Song Dynasty, Wang Mian created a new painting style of Mo Mei with dense flowers, which has an important influence on later generations. By reviewing Wang Mian's time and his creation, this paper sums up the evolution of Wang Mian's painting style, probes into the inheritance and innovation of Wang Mian's painting art, and thinks that Wang Mian adopts creative artistic practice. Has expanded the traditional literati painting art new way, will poem, the book, the picture, the India melts in a furnace, becomes the nature. This kind of artistic innovation established Wang Mian's unique artistic position in Yuan Dynasty.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J212

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 陶莉;;王冕的墨梅風(fēng)格探析[J];皖西學(xué)院學(xué)報(bào);2008年06期

本文編號(hào)：2319205