【摘要】：南朝齊、梁年間,謝赫在“六法論”中提出了“經(jīng)營(yíng)位置”,這是中國(guó)畫構(gòu)圖的一個(gè)重要標(biāo)準(zhǔn),在現(xiàn)代社會(huì)里我們稱之為“構(gòu)圖。”藝術(shù)創(chuàng)作是有很多個(gè)環(huán)節(jié)構(gòu)成的,而構(gòu)圖是創(chuàng)作早期最重要的一步。構(gòu)圖不是簡(jiǎn)單的將物象成列在畫面中,畫家要根據(jù)題材和藝術(shù)思想及創(chuàng)作理念,把所要表現(xiàn)的物象的各個(gè)部分加以合理組織和分配,在一定的空間里經(jīng)營(yíng)和處理被描繪對(duì)象的關(guān)系,把個(gè)體與個(gè)體之間組成一個(gè)協(xié)調(diào)完整的畫面,這就是構(gòu)圖。簡(jiǎn)而言之就是把合適的物象放在合適的地方,從而達(dá)到一種美的視覺(jué)享受。經(jīng)過(guò)歷朝歷代的發(fā)展和完善,工筆畫的構(gòu)圖日趨豐富多樣,“經(jīng)營(yíng)位置”作為傳統(tǒng)的繪畫布局理論指導(dǎo),貫穿著整個(gè)繪畫過(guò)程,在完美的表達(dá)畫家的思想意圖和審美指向方面,起著至關(guān)重要的作用。然而,每個(gè)個(gè)體的不同也會(huì)導(dǎo)致結(jié)果不同,本文嘗試著從布局理論“經(jīng)營(yíng)位置”作為我畢業(yè)創(chuàng)作的理論依據(jù),結(jié)合現(xiàn)代社會(huì)的審美觀,以及我個(gè)人的審美經(jīng)驗(yàn)和理解,去闡述構(gòu)圖的形式美以及在我的作品中的體現(xiàn)。
[Abstract]:In the Southern Qi Dynasty and Liang Dynasty, Sheikh put forward the "management position" in the "six laws", which is an important standard of Chinese painting composition, which we call "composition in modern society." There are many links in artistic creation, and composition is the most important step in the early stage of creation. Composition is not a simple list of objects in the picture, the painter should according to the subject matter and artistic ideas and creative ideas, to display the various parts of the object to be rationally organized and distributed. In a certain space to manage and deal with the relationship between the described objects, the individual and the individual to form a coordinated and complete picture, this is the composition. In short, it is to put the right image in the right place, so as to achieve a beautiful visual enjoyment. After the development and perfection of successive dynasties, the composition of fine brushwork has become more and more diverse. As a traditional theory of painting layout, "management position" runs through the whole painting process and perfectly expresses the painter's ideological intention and aesthetic direction. Play a vital role. However, the differences of each individual also lead to different results. This paper tries to use the layout theory "management position" as the theoretical basis for my graduation creation, combining the aesthetic standards of modern society, as well as my personal aesthetic experience and understanding. To expound the formal beauty of composition and its embodiment in my works.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J212
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本文編號(hào)：2298213