宋元文人山水畫題款研究
發(fā)布時間：2018-10-24 17:42
【摘要】：宋元文人山水畫作為中國傳統(tǒng)文化中的一部分，至今仍在畫壇上產(chǎn)生著深刻而廣泛的影響。它是將哲學(xué)、美學(xué)、文學(xué)、詩歌、書法、宗教等多種特殊文化融合在一起的一門藝術(shù)。其中題款藝術(shù)是宋元文人山水畫最為耀眼的光環(huán)，它光芒四射，最終成為中國繪畫史上的璀璨明珠。題款研究對文人山水畫的內(nèi)容解讀和形式美的創(chuàng)造有偉大的現(xiàn)實意義。 宋朝，文人畫題款開始萌芽。元以降，文人畫的題款得到逐漸發(fā)展，并出現(xiàn)日益繁榮的景象。本論文以文人山水畫題款的內(nèi)容與形式為視角,展開對宋元文人山水畫做深入的整理、分析、研究。進一步闡述文人山水畫題款更深層次的內(nèi)涵與意義。 本文對宋元文人山水畫題款的研究分四個部分。第一部分，闡述宋元文人山水畫發(fā)展狀況及“題款”淵源。結(jié)合文獻資料對宋代文人山水畫的形成進行了討論，得知宋代文人山水畫是特殊政治環(huán)境下相互作用的結(jié)果。在中國繪畫史上民族特色極為鮮明，意義尤為重大。元代文人山水畫題款新的突破與發(fā)展正是建立在宋代基礎(chǔ)之上的。第二部分，講述宋代文人山水畫“題款”的萌芽（滋生）與發(fā)展。通過對宋代文人山水畫出現(xiàn)的歷史背景分析并結(jié)合當(dāng)時的思想引出宋代文人山水畫題款出現(xiàn)的成因。接著采用圖片分析的方法，介紹文人山水畫家的題款作品，并選取一些有代表性的文人山水畫題款作品探討宋代文人山水畫創(chuàng)造的思想根基。第三部分，，元代多元文化沖擊下的繪畫思想裂變之題款多樣式發(fā)展。本章是論文的重點部分，主要從思想根源、內(nèi)在精神、傳播者等方面展開論述元代多元文化思想裂變下，題款的多樣性發(fā)展。并結(jié)合元代文人山水畫的題款作品，深入分析元代文人山水畫題款的“內(nèi)容”及“形式”。研究表明元代文人山水畫題款內(nèi)容豐富、形式多樣，是極具個性特色的。論文的第四部分討論了宋元文人山水畫題款對后世的影響及宋元文人山水畫題款的歷史地位及意義。
[Abstract]:As a part of Chinese traditional culture, literati landscape painting in Song and Yuan dynasties still exerts profound and extensive influence on the painting world. It is an art that combines philosophy, aesthetics, literature, poetry, calligraphy, religion and other special cultures. The title art is the most dazzling halo of the literati landscape paintings in Song and Yuan dynasties, and it is a brilliant pearl in the history of Chinese painting. The theme study has great practical significance for the interpretation of literati landscape painting content and the creation of formal beauty. In the Song Dynasty, literati paintings began to sprout. In the Yuan Dynasty, the literati paintings gradually developed, and increasingly prosperous scene. From the angle of view of the content and form of literati landscape painting, this paper makes a thorough arrangement, analysis and research on the literati landscape painting in Song and Yuan dynasties. Further elaborated the literati landscape painting title deeper level connotation and significance. This paper is divided into four parts on the theme of literati landscape painting in Song and Yuan dynasties. The first part expounds the development of literati landscape painting in Song and Yuan dynasties and its origin. This paper discusses the formation of literati landscape painting in Song Dynasty and finds out that it is the result of interaction under the special political environment. In the history of Chinese painting, the national characteristics are very bright, especially significant. The new breakthrough and development of literati landscape painting in Yuan Dynasty was based on Song Dynasty. The second part is about the sprout (breeding) and development of literati landscape painting in Song Dynasty. By analyzing the historical background of the emergence of literati landscape painting in Song Dynasty and combining with the thought at that time, the causes of the emergence of the title of landscape painting of literati in Song Dynasty were introduced. Then by using the method of picture analysis, this paper introduces the theme works of literati landscape painters, and selects some representative works of literati landscape paintings to discuss the ideological foundation of the creation of literati landscape paintings in Song Dynasty. The third part, the multi-style development of painting thought under the impact of multi-culture in Yuan Dynasty. This chapter is the key part of the thesis, mainly from the ideological roots, internal spirit, propagator and other aspects to discuss the Yuan Dynasty multicultural thought fission, the theme of the diversity of development. Combined with the literati landscape painting in Yuan Dynasty, the content and form of landscape painting in Yuan Dynasty are analyzed. The research shows that the literati landscape painting in Yuan Dynasty has rich contents and various forms. The fourth part of the paper discusses the influence of literati landscape painting in Song and Yuan dynasties on later generations and the historical status and significance of literati landscape painting in Song and Yuan dynasties.
【學(xué)位授予單位】：渤海大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J212
本文編號：2292090
[Abstract]:As a part of Chinese traditional culture, literati landscape painting in Song and Yuan dynasties still exerts profound and extensive influence on the painting world. It is an art that combines philosophy, aesthetics, literature, poetry, calligraphy, religion and other special cultures. The title art is the most dazzling halo of the literati landscape paintings in Song and Yuan dynasties, and it is a brilliant pearl in the history of Chinese painting. The theme study has great practical significance for the interpretation of literati landscape painting content and the creation of formal beauty. In the Song Dynasty, literati paintings began to sprout. In the Yuan Dynasty, the literati paintings gradually developed, and increasingly prosperous scene. From the angle of view of the content and form of literati landscape painting, this paper makes a thorough arrangement, analysis and research on the literati landscape painting in Song and Yuan dynasties. Further elaborated the literati landscape painting title deeper level connotation and significance. This paper is divided into four parts on the theme of literati landscape painting in Song and Yuan dynasties. The first part expounds the development of literati landscape painting in Song and Yuan dynasties and its origin. This paper discusses the formation of literati landscape painting in Song Dynasty and finds out that it is the result of interaction under the special political environment. In the history of Chinese painting, the national characteristics are very bright, especially significant. The new breakthrough and development of literati landscape painting in Yuan Dynasty was based on Song Dynasty. The second part is about the sprout (breeding) and development of literati landscape painting in Song Dynasty. By analyzing the historical background of the emergence of literati landscape painting in Song Dynasty and combining with the thought at that time, the causes of the emergence of the title of landscape painting of literati in Song Dynasty were introduced. Then by using the method of picture analysis, this paper introduces the theme works of literati landscape painters, and selects some representative works of literati landscape paintings to discuss the ideological foundation of the creation of literati landscape paintings in Song Dynasty. The third part, the multi-style development of painting thought under the impact of multi-culture in Yuan Dynasty. This chapter is the key part of the thesis, mainly from the ideological roots, internal spirit, propagator and other aspects to discuss the Yuan Dynasty multicultural thought fission, the theme of the diversity of development. Combined with the literati landscape painting in Yuan Dynasty, the content and form of landscape painting in Yuan Dynasty are analyzed. The research shows that the literati landscape painting in Yuan Dynasty has rich contents and various forms. The fourth part of the paper discusses the influence of literati landscape painting in Song and Yuan dynasties on later generations and the historical status and significance of literati landscape painting in Song and Yuan dynasties.
【學(xué)位授予單位】：渤海大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J212
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