發(fā)布時間：2018-10-23 21:09

【摘要】：千百年以來，意象造型作為中國繪畫藝術(shù)的基本造型形式，構(gòu)成了中國畫獨特的藝術(shù)面貌而獨立于世界畫史之上，大放異彩。在傳統(tǒng)的工筆人物畫當(dāng)中，意象造型的形態(tài)主要體現(xiàn)在不同形式的“線”的運用、色彩的鋪陳、平面化的構(gòu)圖和“以形寫神”的元素之上，所有這些元素的產(chǎn)生都是緣于畫家的思想情感而形成。在當(dāng)今這樣一個全球文化大融合的時代背景之下，當(dāng)代工筆人物畫受到許多外來藝術(shù)形式的影響，其意象造型的形態(tài)也呈現(xiàn)出了多元化的趨勢，并以豐富多彩的面貌呈現(xiàn)在當(dāng)代藝術(shù)中，接受著歷史的考驗。本文主要通過對傳統(tǒng)與當(dāng)代工筆人物畫意象造型形態(tài)的分析，探討當(dāng)代工筆人物畫在發(fā)展過程中所形成的藝術(shù)特征以及顯現(xiàn)出的一些問題，，并試圖找到解決問題的方法，使當(dāng)代工筆人物畫在保持其本質(zhì)精神的前提下得到較大程度的發(fā)展。
[Abstract]:For thousands of years, image modeling, as the basic form of Chinese painting art, constitutes the unique artistic appearance of Chinese painting and is independent of the history of world painting. In the traditional meticulous figure painting, the form of image modeling is mainly reflected in the use of different forms of "line", the spreading of color, the flat composition and the element of "writing spirit in shape". All these elements came into being because of the artist's thoughts and feelings. Under the background of the integration of global culture, the contemporary meticulous figure painting is influenced by many foreign art forms, and the shape of its image modeling also shows a trend of diversification. And presents in the contemporary art with the rich and colorful appearance, accepts the historical test. This article mainly through the traditional and the contemporary meticulous figure painting image modelling form analysis, discusses the contemporary fine brushwork figure painting in the development process the artistic characteristic as well as appears some problems, and attempts to find the solution to the problem. So that contemporary meticulous figure painting under the premise of maintaining its essential spirit to a greater extent.
【學(xué)位授予單位】：北京服裝學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J212

【參考文獻】

相關(guān)期刊論文 前1條

1 徐建融;;讀《墨葡萄圖》[J];國畫家;2011年02期

本文編號：2290467