發(fā)布時(shí)間：2018-10-23 20:52

【摘要】：繪畫(huà)在當(dāng)代大環(huán)境下的發(fā)生和發(fā)展都是必然趨勢(shì),伴隨著這種趨勢(shì),中國(guó)畫(huà)在“繼承傳統(tǒng)”還是“開(kāi)拓創(chuàng)新”的爭(zhēng)論聲中也在不斷的成長(zhǎng),而寫(xiě)意重彩畫(huà)作為中國(guó)畫(huà)的一個(gè)分支,是承載中國(guó)畫(huà)承古與創(chuàng)新的一條路。寫(xiě)意重彩畫(huà)從傳統(tǒng)重彩畫(huà)帶著寫(xiě)意精神來(lái)到我們所生活的時(shí)代,天生帶著我們這個(gè)時(shí)代所賦予的時(shí)代性�！皩�(xiě)意重彩畫(huà)”的提出相對(duì)較晚,因此,對(duì)當(dāng)代寫(xiě)意重彩畫(huà)的時(shí)代劃分本文也進(jìn)行了自己的時(shí)間段劃分。本文追溯寫(xiě)意重彩畫(huà)的古往今來(lái),闡述什么是寫(xiě)意重彩畫(huà),以及寫(xiě)意重彩畫(huà)所特有的中國(guó)畫(huà)傳統(tǒng)意味的特征來(lái)揭示當(dāng)代寫(xiě)意重彩畫(huà)繼承了中國(guó)畫(huà)的精髓;后對(duì)當(dāng)代繪畫(huà)藝術(shù)進(jìn)行簡(jiǎn)略的分析,究其發(fā)展特點(diǎn)與寫(xiě)意重彩畫(huà)進(jìn)行比較;再?gòu)漠?dāng)代寫(xiě)意重彩畫(huà)的“形”、“色”、“藝趣”三方面論述寫(xiě)意重彩畫(huà)的時(shí)代特征;最后對(duì)寫(xiě)意重彩畫(huà)的發(fā)展以及文化背景進(jìn)行淺析,得出寫(xiě)意重彩畫(huà)兼具繼承與創(chuàng)新兩面大旗,寫(xiě)意重彩畫(huà)以中國(guó)傳統(tǒng)繪畫(huà)語(yǔ)言為依托立足當(dāng)代,是中國(guó)畫(huà)發(fā)展的重要形式。
[Abstract]:The emergence and development of painting in the contemporary environment is an inevitable trend. With this trend, Chinese painting is growing up in the debate of "inheriting tradition" or "pioneering and innovating". As a branch of Chinese painting, freehand brushwork is a way to carry the ancient painting and innovation. Freehand brushwork from traditional heavy painting with the spirit of freehand brushwork to the era of our life, born with our times given by this era. "freehand brushwork heavy color painting" was put forward relatively late, therefore, the time division of contemporary freehand brushwork heavy color painting is also divided into its own time period. This paper traces back to the ancient times of freehand brushwork heavy color painting, expounds what is freehand brushwork heavy color painting, as well as the characteristic of traditional Chinese painting meaning of freehand brushwork heavy color painting to reveal that contemporary freehand brushwork heavy color painting inherits the essence of Chinese painting; After the brief analysis of contemporary painting art, the characteristics of its development and freehand brushwork heavy color painting are compared, and then from the contemporary freehand brushwork heavy color painting "shape", "color", "art interest" three aspects of freehand brushwork heavy color painting of the era characteristics; Finally, the development and cultural background of freehand brushwork heavy color painting are analyzed. It is concluded that freehand brushwork heavy color painting has two big banners of inheritance and innovation. It is an important form of the development of Chinese painting to rely on the Chinese traditional painting language.
【學(xué)位授予單位】：湖北美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：J212

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本文編號(hào)：2290431