論奈良美智藝術(shù)的通俗化
發(fā)布時間：2018-09-10 12:40
【摘要】：在消費(fèi)時代來臨的當(dāng)代社會，藝術(shù)早已走下神壇融入大眾文化之中。20世紀(jì)60年代的波普藝術(shù)就已經(jīng)展現(xiàn)了大眾文化與媒體對藝術(shù)的影響，并創(chuàng)造出獨(dú)特的波普藝術(shù)語言。奈良美智所代表的新波普藝術(shù)承接了60年代的波普藝術(shù)的通俗化、流行化的標(biāo)志性藝術(shù)特點(diǎn)。同時，他也將日本獨(dú)有的民族文化、大眾文藝特色與世界新的藝術(shù)思潮相融合，創(chuàng)造性的擴(kuò)大了波普藝術(shù)的形式外延，豐富了藝術(shù)作品的內(nèi)涵。他的作品在藝術(shù)性與通俗化之間取得了雙贏，雅俗共賞，不僅在日本本土得到了肯定，也在國際藝術(shù)市場與大眾傳播之間取得了不俗的成績。本文結(jié)合消費(fèi)時代的大背景，通過對奈良美智多樣藝術(shù)形式的通俗化和精神內(nèi)涵的分析與探討，從日本當(dāng)代藝術(shù)發(fā)展脈絡(luò)聯(lián)系到中國當(dāng)代藝術(shù)的發(fā)展現(xiàn)狀，試圖給我們帶了新的思考方向，從而對通俗化的內(nèi)涵具有更深入更立體的理解。文章共分四個部分： 首先，從當(dāng)代藝術(shù)發(fā)展的背景入手，來探討奈良美智藝術(shù)通俗化的客觀因素。在消費(fèi)時代的大背景下，藝術(shù)通俗化是歷史發(fā)展的必然的結(jié)果，隨著消費(fèi)文化的壯大，經(jīng)濟(jì)與文化開始跨國界影響，世界大眾文化的差距逐漸減小，大眾文化取向逐漸統(tǒng)一，才使奈良美智的藝術(shù)在世界范圍內(nèi)得到了普遍的認(rèn)可。同時，大眾審美與藝術(shù)有著雙向的影響，不僅藝術(shù)潮流引領(lǐng)大眾的審美取向，，大眾文化也反向潛移默化的影響著藝術(shù)家。藝術(shù)市場對藝術(shù)的通俗化起著推波助瀾的作用，藝術(shù)家在意消費(fèi)者的反應(yīng)，如果藝術(shù)品中某些通俗化的因素受到了欣賞者的贊譽(yù)，那么在藝術(shù)品的創(chuàng)作中更會加強(qiáng)這種特性以便在市場中取得好的成績。 其次，著重探討奈良美智在藝術(shù)實(shí)踐上的通俗化。奈良美智符號化的漫畫式的藝術(shù)形象是通俗化的直接表現(xiàn)，他的創(chuàng)作手段不局限于傳統(tǒng)的雕塑與繪畫，也涉足繪本集、家居創(chuàng)意和商品設(shè)計等流行文化。奈良美智的跨界合作對象與領(lǐng)域都與大眾文化領(lǐng)域有一定程度的重合，是他藝術(shù)通俗化的又一佐證。成功的商業(yè)推廣塑造出奈良美智具有親和力的偶像化形象，間接影響了奈良美智在藝術(shù)中的通俗化定位。 再次，主要分析奈良美智藝術(shù)精神內(nèi)涵的通俗化。奈良美智的藝術(shù)體現(xiàn)著新波普藝術(shù)精神，而通俗化正是新波普藝術(shù)的主要特征之一。通過與同屬日本新波普悍將村上隆的比較更彰顯奈良美智的溫和、細(xì)膩的通俗化。奈良美智作品中的日本本土文化與新表現(xiàn)主義精神的融合，他借用日本動漫形式的外殼，填入日本物哀文化和表現(xiàn)主義精神的內(nèi)核，創(chuàng)造出在通俗文化與高雅藝術(shù)之間取得平衡的藝術(shù)品。他作品中正視成人社會的脆弱面與治愈人心靈的功能，這種人文關(guān)懷精神都使奈良美智藝術(shù)得到大眾認(rèn)可的原因之一。 最后，討論了奈良美智藝術(shù)通俗化給中國當(dāng)代藝術(shù)帶來的影響與啟示。中日兩國在近代以來有著相似的藝術(shù)發(fā)展歷程，相比于中國面對西方藝術(shù)的矛盾的態(tài)度，日本對西方卻有著更為徹底且深入的研究，在國際上逐漸確立了不同于西方的風(fēng)格特質(zhì)，并確立了一定的藝術(shù)地位。通過對奈良美智藝術(shù)的通俗化的立體分析，從而啟發(fā)我們對當(dāng)代藝術(shù)精神與社會看法的新視角，探索出屬于自己的藝術(shù)風(fēng)格。
[Abstract]:The pop art of the 1960s has shown the influence of mass culture and media on art and created a unique pop art language. At the same time, he also integrates the unique national culture of Japan, the characteristics of popular literature and art with the new trend of art in the world, creatively expands the formal extension of pop art and enriches the connotation of art works. Native has been affirmed, and has made great achievements in the international art market and mass communication. This paper, combined with the background of the consumer era, through the analysis and discussion of the popularity and spiritual connotation of Nara's various art forms, tries to give a brief introduction to the development of contemporary art in China from the context of contemporary art in Japan. We have taken a new direction of thinking, so as to have a deeper and more three-dimensional understanding of the connotation of popularization.
First of all, from the background of the development of contemporary art, to explore the objective factors of the popularization of Nara's art of beauty and wisdom. At the same time, Popular Aesthetics and art have two-way influence. Not only the trend of art leads the aesthetic orientation of the masses, but also popular culture has a subtle influence on artists. The art market plays a role in promoting the popularization of art. The artist cares about the response of the consumer. If some of the popular elements in the artwork are praised by the appreciator, this characteristic will be strengthened in the creation of the artwork so as to achieve good results in the market.
Next, it focuses on the popularization of Nara Meizhi's artistic practice. Nara's symbolic cartoon-like artistic image is a direct manifestation of popularization. His creative means are not limited to traditional sculpture and painting, but also involved in popular culture such as picture books, home creativity and commodity design. Both of them coincide with the field of popular culture to a certain extent, which is another proof of his popularization of art.
Thirdly, it mainly analyzes the popularization of Nara's artistic spirit. Nara's art embodies the spirit of New Pop Art. Popularization is one of the main characteristics of New Pop Art. The fusion of Japanese native culture and the spirit of new expressionism, he borrows the shell of Japanese animation form, fills in the core of Japanese materialism culture and expressionism spirit, and creates a work of art that balances popular culture with elegant art. One of the reasons why Yoshitomo Nara's art is widely recognized is his spirit.
Finally, the paper discusses the influence and Enlightenment of the popularization of Nara's art of beauty and wisdom on Chinese contemporary art. China and Japan have similar artistic development course since modern times. Compared with China's attitude toward the contradiction of Western art, Japan has a more thorough and in-depth study of the West, and has gradually established a different world from the West. Through the three-dimensional analysis of the popularization of Nara's art of beauty and wisdom, we can inspire a new perspective on contemporary artistic spirit and social view, and explore our own artistic style.
【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J205
本文編號：2234474
[Abstract]:The pop art of the 1960s has shown the influence of mass culture and media on art and created a unique pop art language. At the same time, he also integrates the unique national culture of Japan, the characteristics of popular literature and art with the new trend of art in the world, creatively expands the formal extension of pop art and enriches the connotation of art works. Native has been affirmed, and has made great achievements in the international art market and mass communication. This paper, combined with the background of the consumer era, through the analysis and discussion of the popularity and spiritual connotation of Nara's various art forms, tries to give a brief introduction to the development of contemporary art in China from the context of contemporary art in Japan. We have taken a new direction of thinking, so as to have a deeper and more three-dimensional understanding of the connotation of popularization.
First of all, from the background of the development of contemporary art, to explore the objective factors of the popularization of Nara's art of beauty and wisdom. At the same time, Popular Aesthetics and art have two-way influence. Not only the trend of art leads the aesthetic orientation of the masses, but also popular culture has a subtle influence on artists. The art market plays a role in promoting the popularization of art. The artist cares about the response of the consumer. If some of the popular elements in the artwork are praised by the appreciator, this characteristic will be strengthened in the creation of the artwork so as to achieve good results in the market.
Next, it focuses on the popularization of Nara Meizhi's artistic practice. Nara's symbolic cartoon-like artistic image is a direct manifestation of popularization. His creative means are not limited to traditional sculpture and painting, but also involved in popular culture such as picture books, home creativity and commodity design. Both of them coincide with the field of popular culture to a certain extent, which is another proof of his popularization of art.
Thirdly, it mainly analyzes the popularization of Nara's artistic spirit. Nara's art embodies the spirit of New Pop Art. Popularization is one of the main characteristics of New Pop Art. The fusion of Japanese native culture and the spirit of new expressionism, he borrows the shell of Japanese animation form, fills in the core of Japanese materialism culture and expressionism spirit, and creates a work of art that balances popular culture with elegant art. One of the reasons why Yoshitomo Nara's art is widely recognized is his spirit.
Finally, the paper discusses the influence and Enlightenment of the popularization of Nara's art of beauty and wisdom on Chinese contemporary art. China and Japan have similar artistic development course since modern times. Compared with China's attitude toward the contradiction of Western art, Japan has a more thorough and in-depth study of the West, and has gradually established a different world from the West. Through the three-dimensional analysis of the popularization of Nara's art of beauty and wisdom, we can inspire a new perspective on contemporary artistic spirit and social view, and explore our own artistic style.
【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J205
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