【摘要】：在藝術(shù)繁榮發(fā)展的過(guò)程中,產(chǎn)生了許多美的形式,稚拙美就是其中之一。不論是反映樸素生活的摩西奶奶、還是用明亮色彩表現(xiàn)情感的梵高亦或是畫(huà)面充滿神秘感的盧梭等藝術(shù)家,都能使我們輕易地感受到,這種與眾不同的美學(xué)特質(zhì)的存在。摩西奶奶出生于1860年,77歲高齡才正式開(kāi)始作畫(huà),是美國(guó)20年代前半葉著名且多產(chǎn)的稚拙派畫(huà)家之一。摩西奶奶作為一名兼具個(gè)人風(fēng)格和時(shí)代特色的女畫(huà)家,她的藝術(shù)作品樸素、真誠(chéng)、且極富趣味,為繪畫(huà)融入了一股回歸自然的田園之風(fēng),畫(huà)面讓人心之向往。與此同時(shí),她還將自我的情感與生活的態(tài)度二者融入到繪畫(huà)中,通過(guò)觀者把這種精神傳播到世界的各個(gè)角落,無(wú)限的傳承下去,使生活與繪畫(huà)和諧的融會(huì)貫通,并以此區(qū)別于其他的稚拙性繪畫(huà)。這種單純、質(zhì)樸的藝術(shù)精神內(nèi)涵,反映出生活上的真“味”,即生活本源的回歸。論文首章記述摩西奶奶的生平、藝術(shù)歷程和基本藝術(shù)成就,主要針對(duì)她整個(gè)藝術(shù)生涯中來(lái)進(jìn)行敘述。次章具體從藝術(shù)家創(chuàng)作的淵源、風(fēng)格和影響因素等方面進(jìn)行研究和分析,闡述摩西奶奶繪畫(huà)藝術(shù)形式上的傳承關(guān)系和藝術(shù)發(fā)展過(guò)程“循環(huán)往復(fù)”的規(guī)律,并且說(shuō)明摩西奶奶藝術(shù)特質(zhì)的內(nèi)在創(chuàng)作動(dòng)機(jī)。第三章根據(jù)摩西奶奶的五個(gè)藝術(shù)特點(diǎn),去對(duì)比解讀摩西奶奶藝術(shù)創(chuàng)作及相關(guān)藝術(shù)家的創(chuàng)作。總述這種率真拙樸的藝術(shù)風(fēng)格,即使到了今天依然十分重要,以及摩西奶奶這種藝術(shù)風(fēng)格在繪畫(huà)創(chuàng)作中的意義。
[Abstract]:In the process of art prosperity and development, many forms of beauty have emerged, among which childish beauty is one of them. Whether it is Granny Moses who reflects the simple life or Van Gogh who expresses his feelings with bright colors or Rousseau who is full of mysterious images we can easily feel the existence of this distinctive aesthetic trait. Grandma Moses was born in 1860 at the age of 77 and began painting formally. She was one of the famous and prolific painters in the first half of the 1920s. As a woman painter with both personal style and characteristics of the times, Grandma Moses's works of art are simple, sincere and interesting. At the same time, she also integrates her feelings and attitudes into painting, spreads this spirit to every corner of the world through the viewer, inherits infinitely, makes the harmony between life and painting complete. And this distinguishes itself from other childish paintings. This simple and simple artistic spirit reflects the true taste of life, that is, the return of the origin of life. The first chapter describes the life, artistic process and basic artistic achievements of Grandma Moses. The second chapter studies and analyzes the origin, style and influencing factors of the artist's creation, and expounds the inheritance relation in the form of painting art and the law of the art development process. It also explains the intrinsic creative motive of Grandma Moses' artistic characteristics. Chapter three, according to the five artistic characteristics of Grandma Moses, compares and interprets the artistic creation of Grandma Moses and the creation of related artists. This simple and straightforward artistic style is still very important even today, and the significance of this artistic style in painting.
【學(xué)位授予單位】：江西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：J205

【參考文獻(xiàn)】

相關(guān)期刊論文 前6條

1 張賓雁;;記錄生活的平凡女性——美國(guó)稚拙派畫(huà)家摩西婆婆的一生[J];藝術(shù)教育;2014年05期

2 馬志國(guó);;摩西奶奶效應(yīng)[J];健身科學(xué);2011年08期

3 張覓;;幸好摩西婆婆沒(méi)去養(yǎng)雞[J];中學(xué)生百科;2009年03期

4 劉燕敏;;摩西奶奶的明信片[J];杉鄉(xiāng)文學(xué);2005年14期

5 葉樺;現(xiàn)代藝術(shù)與原始藝術(shù)內(nèi)蘊(yùn)的融合[J];韶關(guān)學(xué)院學(xué)報(bào)(社會(huì)科學(xué)版);2004年08期

6 張惠鳴;論稚拙美[J];齊魯藝苑;1991年03期

相關(guān)碩士學(xué)位論文 前4條

1 昌玉娟;何以給予藝術(shù)力量[D];曲阜師范大學(xué);2015年

2 何泳霖;童真·稚拙—論盧梭繪畫(huà)的童趣[D];中國(guó)美術(shù)學(xué)院;2011年

3 胡晶;貢布里希“圖式—修正”理論之完成[D];中央美術(shù)學(xué)院;2008年

4 謝宏雯;原始巖畫(huà)藝術(shù)精神的啟示[D];武漢理工大學(xué);2005年

，

本文編號(hào)：2232296