發(fā)布時(shí)間：2018-08-28 19:53

【摘要】：花鳥(niǎo)畫的發(fā)展具有悠久的歷史，由古到今，不同時(shí)代的花鳥(niǎo)畫其特點(diǎn)不同，都具有鮮明的時(shí)代性。“梅、蘭、竹、菊”被稱為國(guó)畫“四君子”，很早就成為花鳥(niǎo)畫的表現(xiàn)對(duì)象，“竹”乃“四君子”之一，，歷代名家畫竹、寫竹，借竹抒情，借竹言志，他們創(chuàng)作出了許多優(yōu)秀作品，對(duì)后世產(chǎn)生了很大影響。沿著中國(guó)花鳥(niǎo)畫的發(fā)展歷史，我們可以清晰地鑒賞到花鳥(niǎo)畫大家的畫竹作品，通過(guò)對(duì)他們作品的解析，從中發(fā)現(xiàn)他們畫竹和寫竹的方法，從而了解花鳥(niǎo)畫畫竹之法是怎樣隨著時(shí)代的發(fā)展而嬗變的。 本文首先對(duì)花鳥(niǎo)畫的發(fā)展歷史進(jìn)行了簡(jiǎn)單介紹，從中挖掘出了不同時(shí)期花鳥(niǎo)畫的發(fā)展特點(diǎn)以及其表現(xiàn)內(nèi)容和表現(xiàn)形式的不同，列舉了代表那一時(shí)代的一些著名的花鳥(niǎo)畫大家和他們的作品風(fēng)格，為下一步解析花鳥(niǎo)畫畫竹之法打下鋪墊。 本文重點(diǎn)部分是了解歷代名家的畫竹方法，畫竹之法乃是花鳥(niǎo)畫之法，在花鳥(niǎo)畫的發(fā)展歷史上，出現(xiàn)了許多劃時(shí)代的花鳥(niǎo)畫大家，他們?cè)诨B(niǎo)畫領(lǐng)域都曾經(jīng)做出了巨大貢獻(xiàn)，為后人留下了寶貴的財(cái)富，在這些花鳥(niǎo)畫畫家中，他們有的非常熱衷于畫竹，對(duì)竹子情有獨(dú)鐘，他們一生苦心鉆研，在畫竹、寫竹的方法上有自己的獨(dú)特之處，文中所列舉的畫家以及他們的代表作品，都代表了那一時(shí)代的花鳥(niǎo)畫畫竹的基本方法，體現(xiàn)了那個(gè)時(shí)代的特征，深刻剖析他們的作品，對(duì)當(dāng)代花鳥(niǎo)畫的發(fā)展，具有極其重要的意義。 文章最后闡述了畫竹之法和時(shí)代發(fā)展的關(guān)系，畫竹之法的發(fā)展同藝術(shù)發(fā)展一樣，是在繼承基礎(chǔ)上的發(fā)展，是繼承和發(fā)展的統(tǒng)一，繼承不是百分之百的照抄照搬，而是把一些優(yōu)秀的好的東西傳承下來(lái)，去其糟粕，取其精華，這就是藝術(shù)發(fā)展的永久性規(guī)律。
[Abstract]:The development of flower and bird painting has a long history. "plum, orchid, bamboo, and chrysanthemum" is called the "four Superior Men" in traditional Chinese painting. "Bamboo" is one of the "four Gentlemen". "Bamboo" is one of the "four Gentlemen". They created many excellent works, which had a great influence on later generations. Following the history of the development of Chinese flower-and-bird paintings, we can clearly appreciate the bamboo paintings of people in flower-and-bird paintings. Through the analysis of their works, we can find out how they draw and write bamboo. In order to understand how the law of flowers and birds painting bamboo changes with the development of the times. In this paper, the development history of flower-and-bird painting is briefly introduced, and the characteristics of the development of flower-and-bird paintings in different periods are excavated, as well as the differences in their contents and forms of expression. This paper lists some famous flower-and-bird paintings and their styles, laying the groundwork for the next analysis of the method of flower-and-bird painting. The key part of this paper is to understand the method of drawing bamboo by famous artists of all dynasties, the method of drawing bamboo is the method of painting flowers and birds. In the history of the development of flower and bird painting, there have been many epoch-making flower-and-bird paintings, and they have all made great contributions in the field of flower and bird painting. They left precious wealth for future generations. Among these artists, some of them were very keen on bamboo painting and had a special love for bamboo. They studied hard all their lives and had their own unique ways of drawing and writing bamboo. The painters listed in the article, as well as their representative works, represent the basic methods of the flower-and-bird paintings and bamboo paintings of that era, embody the characteristics of that era, profoundly analyze their works, and make a profound analysis of the development of contemporary flower-and-bird paintings. Of great significance. At the end of the article, the relationship between the law of drawing bamboo and the development of the times is expounded. The development of the law of drawing bamboo, like the development of art, is the development on the basis of inheritance and the unity of inheritance and development. Inheritance is not copied by 100% copy. But to pass on some good things, to discard the dregs, to take the essence, this is the permanent law of art development.
【學(xué)位授予單位】：河北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J212

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