漢畫像石藝術(shù)對(duì)現(xiàn)代插畫設(shè)計(jì)影響的研究
發(fā)布時(shí)間：2018-08-28 19:19
【摘要】：漢畫像石是中國(guó)古代藝苑一顆璀璨的明珠,代表了中國(guó)本土藝術(shù)發(fā)展成熟期的“原生態(tài)”。它通過(guò)生動(dòng)形象的造型,豐富多彩的畫面,展現(xiàn)出漢代藝術(shù)的特殊氣質(zhì)和古拙風(fēng)貌,表現(xiàn)了一種整體靈動(dòng)、浪漫進(jìn)取的“大一統(tǒng)”時(shí)代精神。它那富有形式美感的構(gòu)圖,蘊(yùn)含生命力的線條,夸張的造型,以及多種藝術(shù)表現(xiàn)手法的結(jié)合,對(duì)后世的美術(shù)發(fā)展產(chǎn)生了極為深遠(yuǎn)的影響。而插畫藝術(shù)同樣有著悠久的發(fā)展歷史,古往今來(lái),它與人們的生活息息相關(guān),以其獨(dú)特的魅力豐富著我們的精神世界。這兩種藝術(shù)形式都是值得我們珍視的文化瑰寶。 時(shí)至今日,處于信息化時(shí)代的現(xiàn)代插畫藝術(shù)無(wú)論是在材料的應(yīng)用、制作的方式以及傳播的媒介等方面都發(fā)生了很大變化,涌現(xiàn)出不少優(yōu)秀藝術(shù)家,創(chuàng)作出許多富有時(shí)代特色的優(yōu)秀作品。然而,在世界一體化的進(jìn)程中,中國(guó)的現(xiàn)代插畫藝術(shù)領(lǐng)域在取得令人矚目的成就的同時(shí),也受到了歐美日韓等國(guó)外插畫藝術(shù)思想及風(fēng)格的羼入和商品大潮的沖擊,影響到國(guó)內(nèi)一部分藝術(shù)家的創(chuàng)作態(tài)度和職業(yè)操守,以至于許多作品都是以“文化快餐”的形式充斥于插畫市場(chǎng)之中,這些粗制濫造、低質(zhì)廉價(jià)的復(fù)制品,不僅使得中國(guó)的插畫藝術(shù)領(lǐng)域顯得雜亂無(wú)章,更是遠(yuǎn)離了中國(guó)受眾的審美情趣和價(jià)值觀念。因此,我們有必要重新審視我們引以為自豪的寶貴藝術(shù)遺產(chǎn),樹立高度的文化自覺(jué),在廣泛吸納人類先進(jìn)文明成果的同時(shí),注重將中國(guó)的插畫藝術(shù)創(chuàng)作植根于民族優(yōu)秀傳統(tǒng)文化的沃土之上,惟有如此,才能更好的發(fā)掘和借鑒民族傳統(tǒng)的精髓,創(chuàng)造出經(jīng)得起歷史考驗(yàn)的藝術(shù)精品。 作為民族傳統(tǒng)藝術(shù)重要元素的漢畫像石藝術(shù),其豐富而獨(dú)特的造型藝術(shù)語(yǔ)言有很多值得現(xiàn)代插畫借鑒之處。筆者在查閱大量資料和實(shí)地考察的基礎(chǔ)之上,通過(guò)結(jié)合自己所學(xué)專業(yè)知識(shí)以及在創(chuàng)作實(shí)踐中積累的經(jīng)驗(yàn),試圖從漢畫像石中的構(gòu)圖、造型、線條、表現(xiàn)手法等方面分析其獨(dú)特的藝術(shù)語(yǔ)言,并結(jié)合具體作品著重探究漢畫像石藝術(shù)對(duì)現(xiàn)代插畫設(shè)計(jì)的影響,力求將漢畫像石中蘊(yùn)含的藝術(shù)語(yǔ)言融會(huì)貫通于現(xiàn)代插畫的設(shè)計(jì)之中,從而豐富當(dāng)前插畫創(chuàng)作的藝術(shù)表現(xiàn),提高插畫的創(chuàng)作品質(zhì),創(chuàng)造出具有中國(guó)民族特色的藝術(shù)精品。
[Abstract]:The stone relief of Han Dynasty is a bright pearl of ancient Chinese art garden, which represents the "original ecology" in the mature period of the development of Chinese native art. Through vivid and vivid modeling and rich and colorful pictures, it shows the special temperament of Han Dynasty art and its ancient style and features, and shows a spirit of "unification" of the whole and romantic enterprising era. The composition of its aesthetic sense of form, containing the lines of vitality, exaggerated modeling, and the combination of various artistic expression techniques, has had a profound impact on the development of art in later generations. Illustration art also has a long history of development. It is closely related to people's life and enriches our spiritual world with its unique charm. These two forms of art are cultural treasures that we cherish. Up to now, the modern illustration art in the information age has undergone great changes in the application of materials, the way of production and the media of communication, and many outstanding artists have emerged. He created many excellent works with the characteristics of the times. However, in the process of the integration of the world, China's modern illustrator art field has made remarkable achievements, but also by the European, American, Japan and South Korea and other foreign illustrator art ideas and styles of blending and the impact of the tide of commodities. This has affected the creative attitude and professional integrity of some artists in the country, so that many of their works are flooded in the illustration market in the form of "cultural fast food", which are shoddy, low-quality and cheap copies. Not only makes the Chinese illustration art field appear disorderly, but also away from the Chinese audience's aesthetic interest and value. Therefore, it is necessary for us to re-examine the valuable artistic heritage that we are proud of, to establish a high degree of cultural awareness, and to extensively absorb the fruits of advanced human civilization. Focus on the creation of Chinese illustrator art rooted in the fertile soil of national excellent traditional culture, only in this way, we can better explore and learn from the essence of national tradition, and create a fine art that can withstand the test of history. As an important element of traditional Chinese art, the rich and unique plastic arts language of Han Dynasty is worth drawing lessons from modern illustrations. On the basis of consulting a great deal of data and investigating on the spot, the author, by combining his own professional knowledge and the experience accumulated in his creative practice, attempts to draw from the composition, modeling, and lines of the Han Dynasty stone relief. This paper analyzes its unique artistic language in terms of expression techniques, and probes into the influence of the stone relief art of the Han Dynasty on the modern illustration design in combination with the concrete works, in order to integrate the artistic language contained in the stone relief in the Han Dynasty into the design of the modern illustration. In order to enrich the artistic expression of current illustration creation, improve the creation quality of illustration, create the fine art with Chinese national characteristics.
【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J218.5
本文編號(hào)：2210360
[Abstract]:The stone relief of Han Dynasty is a bright pearl of ancient Chinese art garden, which represents the "original ecology" in the mature period of the development of Chinese native art. Through vivid and vivid modeling and rich and colorful pictures, it shows the special temperament of Han Dynasty art and its ancient style and features, and shows a spirit of "unification" of the whole and romantic enterprising era. The composition of its aesthetic sense of form, containing the lines of vitality, exaggerated modeling, and the combination of various artistic expression techniques, has had a profound impact on the development of art in later generations. Illustration art also has a long history of development. It is closely related to people's life and enriches our spiritual world with its unique charm. These two forms of art are cultural treasures that we cherish. Up to now, the modern illustration art in the information age has undergone great changes in the application of materials, the way of production and the media of communication, and many outstanding artists have emerged. He created many excellent works with the characteristics of the times. However, in the process of the integration of the world, China's modern illustrator art field has made remarkable achievements, but also by the European, American, Japan and South Korea and other foreign illustrator art ideas and styles of blending and the impact of the tide of commodities. This has affected the creative attitude and professional integrity of some artists in the country, so that many of their works are flooded in the illustration market in the form of "cultural fast food", which are shoddy, low-quality and cheap copies. Not only makes the Chinese illustration art field appear disorderly, but also away from the Chinese audience's aesthetic interest and value. Therefore, it is necessary for us to re-examine the valuable artistic heritage that we are proud of, to establish a high degree of cultural awareness, and to extensively absorb the fruits of advanced human civilization. Focus on the creation of Chinese illustrator art rooted in the fertile soil of national excellent traditional culture, only in this way, we can better explore and learn from the essence of national tradition, and create a fine art that can withstand the test of history. As an important element of traditional Chinese art, the rich and unique plastic arts language of Han Dynasty is worth drawing lessons from modern illustrations. On the basis of consulting a great deal of data and investigating on the spot, the author, by combining his own professional knowledge and the experience accumulated in his creative practice, attempts to draw from the composition, modeling, and lines of the Han Dynasty stone relief. This paper analyzes its unique artistic language in terms of expression techniques, and probes into the influence of the stone relief art of the Han Dynasty on the modern illustration design in combination with the concrete works, in order to integrate the artistic language contained in the stone relief in the Han Dynasty into the design of the modern illustration. In order to enrich the artistic expression of current illustration creation, improve the creation quality of illustration, create the fine art with Chinese national characteristics.
【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J218.5
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，本文編號(hào)：2210360
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