從宋代《百花圖卷》看中國水墨工筆花鳥發(fā)展
發(fā)布時(shí)間：2018-08-27 06:57
【摘要】：宋代佚名《百花圖卷》,紙本手卷,墨筆,全卷縱31.5厘米,橫1679.5厘米,原屬清宮舊藏,現(xiàn)今藏于故宮博物館,為中國宋代具有代表性的水墨工筆花鳥作品之一�！栋倩▓D卷》風(fēng)格清雅精致、意境別具一格,既具有宋代花鳥畫的一般特征,又呈現(xiàn)士人畫的傾向,可以說是院體花鳥文人化的表現(xiàn),在中國工筆花鳥畫走向士人畫的過程中起到了承前啟后的作用。宋代水墨工筆花鳥正處在萌芽時(shí)期,《百花圖卷》代表了那一時(shí)期畫家對于水墨工筆花鳥的精神領(lǐng)悟和實(shí)踐探索,同時(shí)對后代歷代畫家多有影響,即使到現(xiàn)在也有不可替代的地位�？梢哉f《百花圖卷》的出現(xiàn)與當(dāng)時(shí)的社會環(huán)境、經(jīng)濟(jì)發(fā)展、文化思想都息息相關(guān)。本文從分析《百花圖卷》獨(dú)特的藝術(shù)特色為開端,先從構(gòu)圖形制、設(shè)色方式、花鳥形態(tài)、線的運(yùn)用等方面對其進(jìn)行深入分析。通過分析作品所呈現(xiàn)的審美思想與技法,并結(jié)合中國花鳥畫發(fā)展脈絡(luò),分析這一水墨風(fēng)格形成的理論基礎(chǔ)和技法傳承。重點(diǎn)是從《百花圖卷》本身的藝術(shù)特色出發(fā)來分析其風(fēng)格形成的文化根源與發(fā)展脈絡(luò),審視古代水墨工筆花鳥畫對當(dāng)代工筆花鳥的影響,力求對當(dāng)代工筆花鳥創(chuàng)作有所貢獻(xiàn)。
[Abstract]:Song Dynasty anonymous name "hundred flowers picture volume", paper hand roll, ink pen, the full volume of 31.5 centimeters in length, 1679.5 centimeters across, originally belonging to the Qing Gong old collection, now hidden in the The Imperial Palace Museum, It is one of the representative flower-and-bird works of the Song Dynasty of China. The style of "hundred Flower Picture Volume" is elegant and exquisite, and the artistic conception is unique. It has both the general characteristics of the flower-and-bird paintings of the Song Dynasty and the tendency of the scholars to draw. It can be said that it is the expression of literati style, which plays an important role in the process of Chinese fine brushwork flower and bird painting moving towards scholar painting. In the Song Dynasty, the flowers and birds of fine brushwork are in their infancy. The "hundred Flower Picture Volume" represents the spiritual comprehension and practical exploration of the painters in that period, and at the same time has an influence on the painters of later generations. Even now there is an irreplaceable position. It can be said that the appearance of "hundred flowers" is closely related to the social environment, economic development and cultural thought. This paper begins with the analysis of the unique artistic characteristics of "hundred Flower Picture Volume", and analyzes it deeply from the aspects of composition, color setting, flower and bird form, and the application of line, etc. By analyzing the aesthetic thoughts and techniques presented in the works and combining the development of Chinese flower-and-bird painting, the theoretical basis and technical heritage of the formation of this ink style are analyzed. The emphasis is to analyze the cultural origin and development thread of the style from the artistic characteristics of "hundred Flower Picture Volume" itself, to examine the influence of the ancient fine brushwork flower and bird painting on the contemporary meticulous brush flowers and birds, and to strive to contribute to the contemporary fine brushwork flower and bird creation.
【學(xué)位授予單位】：安徽大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J212
[Abstract]:Song Dynasty anonymous name "hundred flowers picture volume", paper hand roll, ink pen, the full volume of 31.5 centimeters in length, 1679.5 centimeters across, originally belonging to the Qing Gong old collection, now hidden in the The Imperial Palace Museum, It is one of the representative flower-and-bird works of the Song Dynasty of China. The style of "hundred Flower Picture Volume" is elegant and exquisite, and the artistic conception is unique. It has both the general characteristics of the flower-and-bird paintings of the Song Dynasty and the tendency of the scholars to draw. It can be said that it is the expression of literati style, which plays an important role in the process of Chinese fine brushwork flower and bird painting moving towards scholar painting. In the Song Dynasty, the flowers and birds of fine brushwork are in their infancy. The "hundred Flower Picture Volume" represents the spiritual comprehension and practical exploration of the painters in that period, and at the same time has an influence on the painters of later generations. Even now there is an irreplaceable position. It can be said that the appearance of "hundred flowers" is closely related to the social environment, economic development and cultural thought. This paper begins with the analysis of the unique artistic characteristics of "hundred Flower Picture Volume", and analyzes it deeply from the aspects of composition, color setting, flower and bird form, and the application of line, etc. By analyzing the aesthetic thoughts and techniques presented in the works and combining the development of Chinese flower-and-bird painting, the theoretical basis and technical heritage of the formation of this ink style are analyzed. The emphasis is to analyze the cultural origin and development thread of the style from the artistic characteristics of "hundred Flower Picture Volume" itself, to examine the influence of the ancient fine brushwork flower and bird painting on the contemporary meticulous brush flowers and birds, and to strive to contribute to the contemporary fine brushwork flower and bird creation.
【學(xué)位授予單位】：安徽大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J212
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