【摘要】：19世紀(jì)末20世紀(jì)初,徐悲鴻先生在西方繪畫美學(xué)思想的影響下將立體造型的素描方法引入到中國(guó)繪畫的創(chuàng)作當(dāng)中,豐富了中國(guó)繪畫的筆墨語(yǔ)言體系,尤其在寫意人物畫方面產(chǎn)生了積極而深遠(yuǎn)的影響。據(jù)此,本文試圖從研究素描影響寫意人物畫發(fā)展的脈絡(luò),體察當(dāng)前中國(guó)人物畫造型體系的全貌。首先本文通過(guò)梳理西洋素描被引入到中國(guó)畫創(chuàng)作的歷史背景,分析其對(duì)寫意人物畫所產(chǎn)生的影響,對(duì)比性地研究素描與寫意人物畫的造型規(guī)律和特點(diǎn),進(jìn)而在寫意人物畫創(chuàng)作實(shí)踐中考察素描的作用。
[Abstract]:At the end of the 19th century and the beginning of the 20th century, under the influence of western painting aesthetics, Mr. Xu Beihong introduced the sketch method of three-dimensional modeling into the creation of Chinese painting, which enriched the language system of Chinese painting. Especially in the freehand figure painting has a positive and far-reaching impact. Based on this, this paper attempts to study the influence of sketch on the development of freehand brushwork, to understand the current Chinese figure painting modeling system. First of all, by combing the historical background of Western sketch being introduced into the creation of Chinese painting, this paper analyzes its influence on freehand figure painting, and comparatively studies the modeling law and characteristics of sketch and freehand figure painting. And then in the freehand figure painting creation practice to investigate the role of sketch.
【學(xué)位授予單位】：福建師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J214

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本文編號(hào)：2206031