新中國抗日戰(zhàn)爭主題油畫創(chuàng)作的歷史性與藝術(shù)性研究
發(fā)布時間：2018-08-26 18:26
【摘要】：無論是從官方、民間以及各大美術(shù)館的關(guān)注度，還是從創(chuàng)作的規(guī)模、作品的數(shù)量以及它的影響力來講，重大歷史主題繪畫創(chuàng)作毫無疑問是新中國美術(shù)創(chuàng)作的核心。在這其中，抗日戰(zhàn)爭主題油畫創(chuàng)作所占有的分量不言而喻。研究新中國抗日戰(zhàn)爭主題油畫創(chuàng)作，既要與特定時期的政治、文化等背景相關(guān)聯(lián)，又要關(guān)注其自身的藝術(shù)特質(zhì)。 新中國抗日戰(zhàn)爭主題油畫創(chuàng)作是一個特定時代的必然，這與中華民族的偉大復(fù)興有著不可分割的關(guān)系。歷史是一面鏡子，抗日戰(zhàn)爭主題油畫創(chuàng)作也正是中華民族在勇敢正視自己的歷史。我們從新中國抗日戰(zhàn)爭主題油畫創(chuàng)作的歷史性和藝術(shù)性中感受歷史，通過藝術(shù)作品對歷史的演繹能正確地理解其意義與價值。 本文以新中國抗日戰(zhàn)爭主題油畫創(chuàng)作為切入點(diǎn)，以它的歷史性和藝術(shù)性作為兩條線索，從歷史學(xué)和哲學(xué)等角度研究新中國抗日戰(zhàn)爭主題油畫創(chuàng)作產(chǎn)生的基礎(chǔ)和條件以及其藝術(shù)性；同時從社會學(xué)、文化學(xué)等多維視角研究新中國抗日戰(zhàn)爭主題油畫創(chuàng)作的社會意義與價值。 本文研究的主要內(nèi)容有以下幾點(diǎn)： 一、首先闡述了新中國抗日戰(zhàn)爭主題油畫創(chuàng)作研究的目的和意義、國內(nèi)外的研究現(xiàn)狀、研究內(nèi)容及研究方法； 二、新中國抗日戰(zhàn)爭主題油畫創(chuàng)作的基礎(chǔ)和條件。從社會政治結(jié)構(gòu)、社會意識與藝術(shù)的關(guān)系以及外部因素的影響等方面分析、闡述了新中國成立以來各時期抗日戰(zhàn)爭主題油畫創(chuàng)作產(chǎn)生的土壤及發(fā)展的動力和源泉； 三、新中國抗日戰(zhàn)爭主題油畫創(chuàng)作的歷史性。通過與史料比對研究，分析新中國抗日戰(zhàn)爭主題油畫創(chuàng)作的歷史性，把握它的真實(shí)與虛構(gòu)，從社會學(xué)和歷史學(xué)角度把握它的價值和意義；同時在理解和把握新中國抗日戰(zhàn)爭主題油畫創(chuàng)作的社會意義與價值的同時，將其置身在新時期中日釣魚島爭端這一特定的環(huán)境下分析它的現(xiàn)實(shí)意義和當(dāng)代價值。 四、新中國抗日戰(zhàn)爭主題油畫創(chuàng)作的藝術(shù)性。以現(xiàn)代美學(xué)視角去看待和分析新中國抗日戰(zhàn)爭主題油畫創(chuàng)作的藝術(shù)特點(diǎn)和藝術(shù)價值；從現(xiàn)實(shí)主義和浪漫主義雙重角度研究新中國抗日戰(zhàn)爭主題油畫創(chuàng)作的藝術(shù)性。 五、對新中國抗日戰(zhàn)爭主題油畫創(chuàng)作進(jìn)行了整體闡述，提出了自己的觀點(diǎn)。新中國抗日戰(zhàn)爭主題油畫創(chuàng)作的產(chǎn)生是多種因素相結(jié)合的產(chǎn)物，它的發(fā)展也受到諸多條件的限制，本章節(jié)將對新中國抗日戰(zhàn)爭主題油畫創(chuàng)作做客觀總結(jié)。 我們只有通過對新中國抗日戰(zhàn)爭主題油畫創(chuàng)作進(jìn)行理性的分析、研究，才能正確的把握它的社會意義與價值，無論是正面的還是反面的，都將給我們以啟迪，，同時也能使我們清晰的把握它的發(fā)展規(guī)律，對今后的重大歷史主題繪畫創(chuàng)作也有所啟示。
[Abstract]:No matter from the attention of the government, the folk and the major art galleries, or from the scale of creation, the number of works and its influence, the creation of major historical theme painting is undoubtedly the core of the fine arts creation in New China. In this, the anti-Japanese war theme oil painting creation occupies the weight to be self-evident. To study the theme oil painting of the War of Resistance against Japan in New China, we should not only relate to the political and cultural background of a specific period, but also pay attention to its own artistic characteristics. The theme oil painting of the War of Resistance against Japan in New China is inevitable in a specific era, which has an inseparable relationship with the great rejuvenation of the Chinese nation. History is a mirror, the anti-Japanese war-themed oil painting is the Chinese nation bravely face their own history. We feel the history from the history and artistry of the theme oil painting of the War of Resistance against Japan in New China, and we can correctly understand its significance and value through the interpretation of the history by the works of art. In this paper, the theme of the Anti-Japanese War of New China oil painting as a breakthrough point, with its historical and artistic as two clues, From the perspective of history and philosophy, this paper studies the foundation, conditions and artistry of the creation of themed oil paintings of the War of Resistance against Japan in New China, and at the same time, from the perspective of sociology, This paper studies the social significance and value of the theme oil painting of the War of Resistance against Japan in New China from the perspective of culture and other multi-dimensional perspectives. The main contents of this paper are as follows: firstly, the purpose and significance of the research on the theme oil painting of the War of Resistance against Japan in New China, the present research situation at home and abroad, the research contents and the research methods are expounded. The basis and conditions for the creation of oil paintings on the theme of the War of Resistance against Japan in New China. Based on the analysis of the social political structure, the relationship between social consciousness and art, and the influence of external factors, this paper expounds the soil and the motive force and source of the development of the anti-Japanese war theme oil painting creation in various periods since the founding of New China. Third, the historical creation of the theme oil painting of the War of Resistance against Japan in New China. Through comparing with historical materials, this paper analyzes the historical creation of the theme oil painting of the War of Resistance against Japan in New China, grasps its truth and fiction, and grasps its value and significance from the angle of sociology and history. At the same time, while understanding and grasping the social significance and value of the theme oil painting of the War of Resistance against Japan in New China, we put it in a special environment of the Sino-Japanese Diaoyu Islands dispute in the new period and analyze its realistic significance and contemporary value. Fourth, the artistry of the theme oil painting of the War of Resistance against Japan in New China. From the perspective of modern aesthetics, this paper analyzes the artistic characteristics and artistic value of the theme oil painting of the War of Resistance against Japan in New China, and studies the artistry of the oil painting of the theme of the War of Resistance against Japan in New China from the perspective of realism and romanticism. Fifthly, the theme oil painting creation of the War of Resistance against Japan in New China is expounded as a whole, and its own viewpoint is put forward. The creation of the theme oil painting of the War of Resistance against Japan in New China is the product of the combination of many factors and its development is also restricted by many conditions. This chapter will make an objective summary of the creation of the theme oil painting of the War of Resistance against Japan in New China. Only through rational analysis and study of the theme oil painting of the War of Resistance against Japan in New China, can we correctly grasp its social significance and value, whether positive or negative, which will enlighten us. At the same time, it can make us grasp its development law clearly, and enlighten the major historical theme painting creation in the future.
【學(xué)位授予單位】：浙江理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J213
本文編號：2205779
[Abstract]:No matter from the attention of the government, the folk and the major art galleries, or from the scale of creation, the number of works and its influence, the creation of major historical theme painting is undoubtedly the core of the fine arts creation in New China. In this, the anti-Japanese war theme oil painting creation occupies the weight to be self-evident. To study the theme oil painting of the War of Resistance against Japan in New China, we should not only relate to the political and cultural background of a specific period, but also pay attention to its own artistic characteristics. The theme oil painting of the War of Resistance against Japan in New China is inevitable in a specific era, which has an inseparable relationship with the great rejuvenation of the Chinese nation. History is a mirror, the anti-Japanese war-themed oil painting is the Chinese nation bravely face their own history. We feel the history from the history and artistry of the theme oil painting of the War of Resistance against Japan in New China, and we can correctly understand its significance and value through the interpretation of the history by the works of art. In this paper, the theme of the Anti-Japanese War of New China oil painting as a breakthrough point, with its historical and artistic as two clues, From the perspective of history and philosophy, this paper studies the foundation, conditions and artistry of the creation of themed oil paintings of the War of Resistance against Japan in New China, and at the same time, from the perspective of sociology, This paper studies the social significance and value of the theme oil painting of the War of Resistance against Japan in New China from the perspective of culture and other multi-dimensional perspectives. The main contents of this paper are as follows: firstly, the purpose and significance of the research on the theme oil painting of the War of Resistance against Japan in New China, the present research situation at home and abroad, the research contents and the research methods are expounded. The basis and conditions for the creation of oil paintings on the theme of the War of Resistance against Japan in New China. Based on the analysis of the social political structure, the relationship between social consciousness and art, and the influence of external factors, this paper expounds the soil and the motive force and source of the development of the anti-Japanese war theme oil painting creation in various periods since the founding of New China. Third, the historical creation of the theme oil painting of the War of Resistance against Japan in New China. Through comparing with historical materials, this paper analyzes the historical creation of the theme oil painting of the War of Resistance against Japan in New China, grasps its truth and fiction, and grasps its value and significance from the angle of sociology and history. At the same time, while understanding and grasping the social significance and value of the theme oil painting of the War of Resistance against Japan in New China, we put it in a special environment of the Sino-Japanese Diaoyu Islands dispute in the new period and analyze its realistic significance and contemporary value. Fourth, the artistry of the theme oil painting of the War of Resistance against Japan in New China. From the perspective of modern aesthetics, this paper analyzes the artistic characteristics and artistic value of the theme oil painting of the War of Resistance against Japan in New China, and studies the artistry of the oil painting of the theme of the War of Resistance against Japan in New China from the perspective of realism and romanticism. Fifthly, the theme oil painting creation of the War of Resistance against Japan in New China is expounded as a whole, and its own viewpoint is put forward. The creation of the theme oil painting of the War of Resistance against Japan in New China is the product of the combination of many factors and its development is also restricted by many conditions. This chapter will make an objective summary of the creation of the theme oil painting of the War of Resistance against Japan in New China. Only through rational analysis and study of the theme oil painting of the War of Resistance against Japan in New China, can we correctly grasp its social significance and value, whether positive or negative, which will enlighten us. At the same time, it can make us grasp its development law clearly, and enlighten the major historical theme painting creation in the future.
【學(xué)位授予單位】：浙江理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J213
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