【摘要】：梵高將自己的一生都奉獻(xiàn)給了藝術(shù),他的作品中有一種獨特的藝術(shù)形式語言——線條。線條作為梵高繪畫中重要組成元素,承載著常人難以體會的孤獨和激情,是梵高表達(dá)個人感情的最獨特、最直觀的符號形式。本文共分為五個章節(jié),以時間為主要線索,在對梵高不同階段的代表作品(主要為素描和油畫作品)中的線條特點進(jìn)行較為淺顯的分析和總結(jié)的基礎(chǔ)上,嘗試消化吸收來形成自己的繪畫語言,并運用到自己藝術(shù)創(chuàng)作中。第一章介紹了梵高的基本情況,以及梵高與印象派的畫家接觸后接受的一些相關(guān)繪畫理論。第二章從透視、長短、線的色彩飽和度三個特征分析梵高作品中的線條形式特征。第三章結(jié)合梵高的生活處境,從梵高作品中線條表達(dá)的情感角度進(jìn)行分析,注重強(qiáng)調(diào)情感因素由弱到強(qiáng)遞進(jìn)的關(guān)系,最終呈現(xiàn)出高度主觀化的、超出自然科學(xué)現(xiàn)象的、超出自然色彩范疇的線條與色彩相結(jié)合的畫面。第四章是筆者在借鑒梵高的線條形式特征的基礎(chǔ)上,進(jìn)行個人創(chuàng)作的過程,強(qiáng)調(diào)以線條作為主,以點、面為輔的形式語言進(jìn)行探究。第五章側(cè)重從對畫面細(xì)節(jié)問題上的控制與處理等方面對筆者在藝術(shù)創(chuàng)作過程中遇到的各種問題進(jìn)行總結(jié)反思,以期更好地探究并實踐多種形式的藝術(shù)創(chuàng)作。
[Abstract]:Van Gogh devoted his life to art, his works have a unique form of art language-line. As an important element in Van Gogh's painting, line is the most unique and intuitive symbol form in which Van Gogh expresses his personal feelings. This article is divided into five chapters, with time as the main clue, on the basis of the simple analysis and summary of the line characteristics of Van Gogh's representative works (mainly sketch and oil painting) at different stages, Try to digest and absorb to form their own painting language, and apply to their own artistic creation. The first chapter introduces Van Gogh's basic situation and some related painting theories accepted by Van Gogh after his contact with Impressionist painters. The second chapter analyzes the line form characteristics of Van Gogh's works from three characteristics: perspective, length and color saturation. The third chapter analyzes Van Gogh's living situation from the angle of emotion expressed by lines in Van Gogh's works, emphasizes the relationship between emotional factors from weak to strong, and finally presents highly subjective, beyond natural science phenomenon. A picture that combines lines and colors beyond the category of natural colors. The fourth chapter is the author on the basis of drawing lessons from Van Gogh's formal characteristics of the line, the process of personal creation, emphasizing the line as the main, point, surface as the auxiliary formal language to explore. The fifth chapter focuses on the control and processing of the details of the picture and other aspects of the author in the process of artistic creation to sum up the problems encountered in order to better explore and practice a variety of forms of art creation.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J205

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本文編號：2205658