【摘要】：西方的當(dāng)代昆蟲(chóng)繪畫藝術(shù),從歷史的發(fā)展腳步,從一開(kāi)始的架上繪畫,慢慢過(guò)渡到了實(shí)驗(yàn)繪畫,觀念繪畫,發(fā)展到現(xiàn)在,技巧與方法是層出不窮,賦予畫面之外的驚喜也是越來(lái)越多,本文就是從西方一些昆蟲(chóng)在西方當(dāng)代藝術(shù)中的應(yīng)用著手研究昆蟲(chóng)作為一個(gè)藝術(shù)形象,是如何在藝術(shù)殿堂里發(fā)光發(fā)熱的。 主要是通過(guò)具體的實(shí)際案例進(jìn)行分析說(shuō)明當(dāng)代藝術(shù)中昆蟲(chóng)形象的應(yīng)用,分為三大塊進(jìn)行分析,分為昆蟲(chóng)形象在藝術(shù)中的觀念化表現(xiàn),昆蟲(chóng)形象在藝術(shù)中的敘事化表達(dá)以及昆蟲(chóng)形象在藝術(shù)中的平面化表述。根據(jù)這三種不一樣的藝術(shù)表現(xiàn)手法,進(jìn)行分析與概括。 在對(duì)當(dāng)代藝術(shù)案例的研究當(dāng)中在馬格納斯·穆?tīng)柕纳n蠅喜劇的案例研究中對(duì)藝術(shù)的起源“游戲說(shuō)”進(jìn)行了分析驗(yàn)證。尼弗·安格斯的恐怖墻壁拼貼畫中對(duì)昆蟲(chóng)的平面構(gòu)成美也進(jìn)行了詳細(xì)的分析。而后克里斯多弗的精致寶石昆蟲(chóng)排列在很大一部分我們又認(rèn)識(shí)了昆蟲(chóng)的色彩構(gòu)成美,他們的色彩對(duì)比美與色彩推移美。 最后對(duì)當(dāng)代的昆蟲(chóng)藝術(shù)進(jìn)行總結(jié)概括,與實(shí)例研究,得出結(jié)論。當(dāng)代的昆蟲(chóng)藝術(shù)就是一個(gè)多元發(fā)展的藝術(shù)。昆蟲(chóng)藝術(shù)的發(fā)展趨勢(shì)是混合著行為與裝置、質(zhì)感、語(yǔ)言和觀念的全方面發(fā)展的當(dāng)代藝術(shù)。
[Abstract]:The contemporary art of insect painting in the West, from the pace of the development of history and from the beginning of the frame painting, slowly transitioned to experimental painting, conceptual painting, development to the present, skills and methods are endless. There are more and more surprises outside the picture. This paper starts with the application of some insects in western contemporary art to study how insects, as an artistic image, glow and heat in the hall of art. The application of insect image in contemporary art is mainly analyzed through concrete practical cases. It is divided into three chunks and the conceptual expression of insect image in art. The narrative expression of insect image in art and the plane expression of insect image in art. According to these three different artistic expression techniques, analysis and summary. In the case study of contemporary art cases in Magnus Moore's fly Comedy, the origin of art, Game Theory, is analyzed and verified. Nefer-Angus 's horror wall collage also provides a detailed analysis of the plane composition of insects. Then Christopher's exquisite gem insects are arranged in a large part and we know the color composition beauty of insects, their color contrast beauty and color progressive beauty. At last, the author summarizes and generalizes the contemporary insect art, and draws a conclusion. The contemporary insect art is a multi-development art. The development trend of insect art is the contemporary art which is mixed with behavior and device, texture, language and concept.
【學(xué)位授予單位】：福建師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J205

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 周詳;石娟;;略析觀賞昆蟲(chóng)的構(gòu)成美[J];自然雜志;2011年01期

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本文編號(hào)：2204646