本文關(guān)鍵詞：繪畫、詩歌、戲�。何闋柗颥F(xiàn)代主義小說的綜合藝術(shù)，由筆耕文化傳播整理發(fā)布。

繪畫、詩歌、戲劇：伍爾夫現(xiàn)代主義小說的綜合藝術(shù)魏；Acknowledgements4-5；中文摘要5-9；Abstract9-13；Abbreviations15-16；Introduction16-31；Ⅰ.CriticalSurveyoftheStu；Ⅲ.InevitabilityofPaintin；ChapterOneTheArtofPainti；Ⅰ.

繪畫、詩歌、戲劇：伍爾夫現(xiàn)代主義小說的綜合藝術(shù) 魏曉梅

Acknowledgements 4-5

中文摘要 5-9

Abstract 9-13

Abbreviations 15-16

Introduction 16-31

Ⅰ. Critical Survey of the Studies on Artistic Forms of Woolf’s Fiction 16-22 Ⅱ. Woolf’s View of Artistic Forms in Fiction 22-24

Ⅲ. Inevitability of Painting, Poetry and Play as Woolf’s Reference 24-26 Ⅳ. The Argument and Organization of the Dissertation 26-31

Chapter One The Art of Painting in To the Lighthouse 31-61

Ⅰ. Realist Representation of Objective Reality and “Metapicture” 35-43 Ⅱ. Impressionist Capture of Color, Light and Subjective Reality 43-47 Ⅲ. Post-Impressionist Design, Distortion and Simplification 47-55 Ⅳ. Cubist Perspectives, Fragments and Synthesis 55-61

Chapter Two The Art of Poetry in The Waves 61-91

Ⅰ. Woolf’s Concept of Poetry and Its Practice 64-69

Ⅱ. Poetic Effects of “Stream of Consciousness” 69-72

Ⅲ. Symbolism and Rhythm 72-80

Ⅳ. Poet as a “Philosopher” 80-91

Chapter Three The Art of Play in Between the Acts 91-123

Ⅰ. Woolf’s Concept of “Novel-play” and Its Practice 94-99

Ⅱ. Parallel Structure and Polyphony 99-106

Ⅲ. Pageant as Instruments of Review and Reform 106-116

Ⅳ. Play as a Metaphor 116-123

Conclusion 123-131

Works Cited

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