從《襲人的秘密》看張見(jiàn)作品中的空間營(yíng)造
發(fā)布時(shí)間:2018-08-01 08:06
【摘要】:現(xiàn)當(dāng)代從事中國(guó)工筆畫(huà)創(chuàng)作的畫(huà)者很多,從上世紀(jì)90年代開(kāi)始至今,中國(guó)工筆繪畫(huà)經(jīng)歷了一個(gè)繁榮的時(shí)期。然而,隨著時(shí)代發(fā)展、文化交融等各方面影響的日漸增強(qiáng),畫(huà)家們?cè)絹?lái)越關(guān)注畫(huà)面的空間表達(dá)方式,尤其注重在作品中表達(dá)個(gè)人觀念。漸漸的“觀念先行”這一繪畫(huà)理念被越來(lái)越多的年輕畫(huà)家所推崇,畫(huà)家們對(duì)于畫(huà)面空間的處理也越來(lái)越呈現(xiàn)出多樣化的趨勢(shì)!兑u人的秘密》這幅作品是張見(jiàn)畫(huà)風(fēng)轉(zhuǎn)變時(shí)期的經(jīng)典代表之一,畫(huà)家在作品中運(yùn)用敘述性的表達(dá)方式表現(xiàn)畫(huà)面空間,將西方的經(jīng)典圖式與中國(guó)傳統(tǒng)元素的有機(jī)結(jié)合。作品中的空間、造型、線條以及墨色間所流露的氣息都很自然,尤其是他讀博期間部分作品中,把西方文藝復(fù)興時(shí)期經(jīng)典圖式與中國(guó)傳統(tǒng)元素相融合的探索,對(duì)于研究當(dāng)代中國(guó)工筆畫(huà)藝術(shù)的發(fā)展有著重要意義。 本文從畫(huà)面的空間元素、造型元素、透視關(guān)系、色彩關(guān)系以及意境的表達(dá)等角度入手,對(duì)《襲人的秘密》以及張見(jiàn)這一時(shí)期的作品進(jìn)行了深入分析,試圖探討張見(jiàn)畫(huà)面空間的營(yíng)造方式對(duì)于現(xiàn)代工筆畫(huà)空間營(yíng)造的啟示。
[Abstract]:There are many painters engaged in the creation of Chinese fine brushwork in modern times. Since the 1990s, Chinese fine brushwork painting has experienced a prosperous period. However, with the development of the times and the increasing influence of cultural blending, painters pay more and more attention to the spatial expression of the picture, especially to the expression of personal ideas in the works. Gradually, the concept of "concept first" was praised by more and more young painters. The painters' handling of the picture space is also showing a trend of diversification. "the Secret of attack" this work is one of the classic representatives of the changing period of Zhang's style of painting. The painter uses narrative expression to express the picture space in his works. Combine the classical schemata of the West with the traditional elements of China. The space, shape, line and color in his works are very natural, especially in some of his works during the period of reading, he explores the integration of the classical schemata of the Western Renaissance period with the traditional elements of China. It is of great significance to study the development of contemporary Chinese fine brushwork art. From the angle of space element, styling element, perspective relation, color relation and expression of artistic conception of the picture, this paper makes a deep analysis of the Secret of the attack and the works of the period of Zhang see. This paper tries to probe into the enlightenment of the construction method of Zhang-see picture space to the modern meticulous painting space.
【學(xué)位授予單位】:安徽大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2013
【分類(lèi)號(hào)】:J212
本文編號(hào):2156857
[Abstract]:There are many painters engaged in the creation of Chinese fine brushwork in modern times. Since the 1990s, Chinese fine brushwork painting has experienced a prosperous period. However, with the development of the times and the increasing influence of cultural blending, painters pay more and more attention to the spatial expression of the picture, especially to the expression of personal ideas in the works. Gradually, the concept of "concept first" was praised by more and more young painters. The painters' handling of the picture space is also showing a trend of diversification. "the Secret of attack" this work is one of the classic representatives of the changing period of Zhang's style of painting. The painter uses narrative expression to express the picture space in his works. Combine the classical schemata of the West with the traditional elements of China. The space, shape, line and color in his works are very natural, especially in some of his works during the period of reading, he explores the integration of the classical schemata of the Western Renaissance period with the traditional elements of China. It is of great significance to study the development of contemporary Chinese fine brushwork art. From the angle of space element, styling element, perspective relation, color relation and expression of artistic conception of the picture, this paper makes a deep analysis of the Secret of the attack and the works of the period of Zhang see. This paper tries to probe into the enlightenment of the construction method of Zhang-see picture space to the modern meticulous painting space.
【學(xué)位授予單位】:安徽大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2013
【分類(lèi)號(hào)】:J212
【參考文獻(xiàn)】
相關(guān)期刊論文 前3條
1 孫欣;;張見(jiàn):迷藏的玄機(jī)[J];世界博覽;2010年04期
2 杭春曉;;概念超越——2012年新工筆文獻(xiàn)展學(xué)術(shù)研討會(huì)[J];國(guó)畫(huà)家;2012年05期
3 漆瀾;意外的經(jīng)典也談我和張見(jiàn)[J];藝術(shù)界;2005年01期
,本文編號(hào):2156857
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