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從繪畫原始性中得到的啟示

發(fā)布時間:2018-07-29 19:36
【摘要】:在原始繪畫時期東西方的原始繪畫從內容,形式到手法都極其相似。在人類的兒童時期的繪畫作品更接近于原始繪畫時期的繪畫作品,都是無透視規(guī)律、無拘束、單純的表現(xiàn)自我,等人們在接受了客觀規(guī)律等透視學解剖學繪畫訓練之后,學到了規(guī)律和法則,便把自我局限到了“寫實”繪畫當中,就好像是照相寫實繪畫一樣,距離“客觀事實”更近,距離繪畫性更遠。就好像是人們在兒童時期的繪畫是心中所想,也沒有具體的、固定的形象,思維也不受控制和約束,但等到學會了簡筆畫之后,就忘記了之前的畫法,畫的很工整、很漂亮,但不是真正理解的東西,在成人世界里的規(guī)則得到加強,失去天性,失去繪畫純粹的東西。到了當代藝術時期,藝術呈多元化發(fā)展,人們不再是一味的追求照相寫實,有很多作者對內心情感表達方面重于繪畫寫實本身。對于我個人而言,從最開始的兒童時期是想到哪里就畫到哪里的,但在經(jīng)過了系統(tǒng)的透視學和解剖學訓練之后,繪畫有了方法,寫實能力也有所提高,但是很難回到原始時期的“稚拙”,畫的越來越熟練之后就會形成一種個人的模式,久而久之對身邊的事物都會變得麻木,進而就失去了最原始最純粹的東西了,在本文的寫作中要慢慢尋找繪畫本身失去的最原始的觀察方法和繪畫情感。
[Abstract]:In the primitive painting period, the original painting of East and West was very similar in content, form and technique. Painting works in human childhood are closer to those in the original painting period. They are all perspective free, free from restraint, pure self-expression, and so on after people have received the training of perspective anatomy painting, such as objective law, etc. When we learn the rules and rules, we confine ourselves to realistic painting, like photographic realistic painting, which is closer to "objective facts" and farther away from painting. It's as if people's paintings in childhood are what they want in their hearts, and there is no concrete, fixed image, and their thinking is not controlled and restrained. But after learning to draw simple strokes, they forget the previous painting methods. They draw very neat and beautiful. But what is not really understood, the rules in the adult world are strengthened, lost nature, lost the pure things of painting. In the period of contemporary art, art has diversified development, people are no longer blindly pursuing photorealistic, there are a lot of writers on the emotional expression of the heart is more important than realistic painting itself. For me personally, from the beginning of my childhood I drew wherever I thought, but after systematic perspective and anatomical training, I got a method of painting and improved my ability to write realistically. But it is difficult to go back to the "childish" of the primitive period. After becoming more and more skillful in painting, a personal pattern will be formed. Over time, the things around you will become numb, and then you will lose the most primitive and purest things. In the writing of this paper, we should find the most primitive observation method and painting emotion that the painting itself has lost.
【學位授予單位】:沈陽大學
【學位級別】:碩士
【學位授予年份】:2017
【分類號】:J205

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