傳統(tǒng)山水畫中的古代建筑形態(tài)研究
發(fā)布時間：2018-07-27 20:59
【摘要】：縱觀歷史,由于中國文化和建筑材料的特殊性,中國古代建筑及與之相適應(yīng)的建筑環(huán)境不斷發(fā)生更迭、變化和改造,導(dǎo)致我們對古代建筑的認識和研究缺少實物和與之相應(yīng)的環(huán)境的實證存在。而大量的中國古代傳統(tǒng)山水畫所具有的相當?shù)膶憣嵭?完整的繪出了建筑形態(tài)及其與環(huán)境的關(guān)系,這成為我們研究古代建筑重要的文本資料,具有圖像研究意義。論文目的是通過一種圖像視覺方式,重返歷史現(xiàn)場,基于傳統(tǒng)山水畫中的建筑圖像,研究古代建筑的形態(tài)及其和傳統(tǒng)山水畫相似的創(chuàng)作生成方式。用傳統(tǒng)山水畫的藝術(shù)視角,以傳統(tǒng)山水畫中的建筑圖像為研究對象,分析傳統(tǒng)山水畫中建筑形態(tài)構(gòu)成規(guī)律、方法及深層的文化意義。全文研究基本分為三個核心層面：第一層面的目標是在傳統(tǒng)山水畫與建筑共同的文化美學(xué)思想背景下,探究傳統(tǒng)山水畫與建筑共同的精神訴求,研究其平行交替生成與演進的關(guān)系。中國古代建筑如同中國傳統(tǒng)山水畫是成熟的審美哲學(xué)的產(chǎn)物。在其共同的文化屬性下,解讀古代建筑的審美與周圍環(huán)境及自然的關(guān)系。第二個層面是通過主體創(chuàng)作認知結(jié)構(gòu),通過畫理、畫論分析中國山水畫與古代建筑在共同的文化內(nèi)核下相似的創(chuàng)作方法。從圖像視覺理論維度解析傳統(tǒng)山水畫與古代建筑共同的創(chuàng)作理念,進而研究古代建筑的創(chuàng)作方法。第三層面的研究是將傳統(tǒng)山水畫中的建筑形象作為研究文本,進行文獻式的梳理,從圖像視覺角度研究建筑的形態(tài),探索古代建筑模件化構(gòu)成,及當時的生活場景和生命模式,溯源中國人居環(huán)境文化,從建筑設(shè)計和營造人居環(huán)境等諸多方面進行拓展性研究。基于古代藝術(shù)認知理念研究建筑、人和自然環(huán)境的關(guān)系,以及其對應(yīng)的設(shè)計邏輯順序,研究在山水畫文本下的和模件下的建筑形式和存在的狀態(tài)。以藝術(shù)學(xué)視角,對具有建筑形象的山水畫進行收集和梳理,采用建筑藝術(shù)學(xué)、建筑歷史學(xué)、建筑文化學(xué)等多學(xué)科融合的方法,運用圖像學(xué)、模件理論、參數(shù)化等研究理論和工具,對古代建筑與傳統(tǒng)山水畫展開跨學(xué)科交叉式研究,通過對歷代典型的具有建筑形象的傳統(tǒng)山水畫中的建筑,進行建筑類型和環(huán)境的分析,提出以圖像視覺藝術(shù)認知途徑,研究傳統(tǒng)山水畫美學(xué)概念下的中國古代建筑,以山水畫為認知媒介引發(fā)思維范式的轉(zhuǎn)換,尋找新的創(chuàng)新性研究方式,進而提出對古代建筑研究的新思路,為未來的古代建筑形態(tài)研究的發(fā)展提供了重要參考和理論基礎(chǔ)。
[Abstract]:Throughout history, due to the particularity of Chinese culture and building materials, ancient Chinese architecture and its corresponding architectural environment have been constantly changed, changed and transformed. As a result, our understanding and research on ancient architecture is lack of physical objects and corresponding environment. And a large number of ancient Chinese traditional landscape painting has a considerable realism, the complete drawing of the architectural form and its relationship with the environment, which has become an important text of our study of ancient architecture, with image research significance. The purpose of this paper is to return to the historical scene through an image visual method, and based on the architectural images of traditional landscape painting, to study the form of ancient architecture and its creation and generation similar to traditional landscape painting. From the artistic perspective of traditional landscape painting and taking the architectural image of traditional landscape painting as the research object, this paper analyzes the law, method and deep cultural significance of architectural form in traditional landscape painting. The thesis is divided into three core levels: the first level aims at exploring the common spiritual demands of traditional landscape painting and architecture under the background of the common cultural aesthetics of traditional landscape painting and architecture. The relationship between the parallel alternation generation and evolution is studied. Chinese ancient architecture, like Chinese traditional landscape painting, is the product of mature aesthetic philosophy. Under its common cultural attribute, it interprets the relationship between the aesthetics of ancient architecture and its surrounding environment and nature. The second level is to analyze the similar creative methods of Chinese landscape painting and ancient architecture under the common cultural core through the cognitive structure of the subject creation, the drawing theory and the painting theory. This paper analyzes the common creative ideas of traditional landscape painting and ancient architecture from the perspective of image vision theory, and then studies the creative methods of ancient architecture. The third level of research is to take the architectural image in the traditional landscape painting as the research text, to sort out the literature, to study the form of the architecture from the perspective of image vision, to explore the composition of the ancient architectural module, and to explore the life scene and life mode at that time. Traceback to Chinese human settlements culture, from the architectural design and construction of human settlements, and many other aspects of the development of research. Based on the concept of ancient art cognition, this paper studies the relationship between architecture, human and natural environment, and the corresponding design logic sequence, and studies the architectural forms and existing states under the text of landscape painting and modules. From the perspective of art, the landscape painting with architectural image is collected and combed. The methods of multi-disciplinary fusion, such as architectural art, architectural history and architectural culturology, are adopted, and the theory of graphics and modules is used. Parameterized research theories and tools to carry out cross-disciplinary research on ancient architecture and traditional landscape painting, through the analysis of the architectural types and environment of the traditional landscape painting with architectural image of the past dynasties. This paper puts forward the way of image visual art cognition to study the ancient Chinese architecture under the traditional landscape painting aesthetic concept, and takes landscape painting as the cognitive medium to initiate the transformation of thinking paradigm, and to find a new innovative research method. Furthermore, the paper puts forward a new way of thinking about the study of ancient architecture, which provides an important reference and theoretical basis for the development of the study of ancient architectural form in the future.
【學(xué)位授予單位】：大連理工大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2016
【分類號】：J212;TU-092
，
本文編號：2149119
[Abstract]:Throughout history, due to the particularity of Chinese culture and building materials, ancient Chinese architecture and its corresponding architectural environment have been constantly changed, changed and transformed. As a result, our understanding and research on ancient architecture is lack of physical objects and corresponding environment. And a large number of ancient Chinese traditional landscape painting has a considerable realism, the complete drawing of the architectural form and its relationship with the environment, which has become an important text of our study of ancient architecture, with image research significance. The purpose of this paper is to return to the historical scene through an image visual method, and based on the architectural images of traditional landscape painting, to study the form of ancient architecture and its creation and generation similar to traditional landscape painting. From the artistic perspective of traditional landscape painting and taking the architectural image of traditional landscape painting as the research object, this paper analyzes the law, method and deep cultural significance of architectural form in traditional landscape painting. The thesis is divided into three core levels: the first level aims at exploring the common spiritual demands of traditional landscape painting and architecture under the background of the common cultural aesthetics of traditional landscape painting and architecture. The relationship between the parallel alternation generation and evolution is studied. Chinese ancient architecture, like Chinese traditional landscape painting, is the product of mature aesthetic philosophy. Under its common cultural attribute, it interprets the relationship between the aesthetics of ancient architecture and its surrounding environment and nature. The second level is to analyze the similar creative methods of Chinese landscape painting and ancient architecture under the common cultural core through the cognitive structure of the subject creation, the drawing theory and the painting theory. This paper analyzes the common creative ideas of traditional landscape painting and ancient architecture from the perspective of image vision theory, and then studies the creative methods of ancient architecture. The third level of research is to take the architectural image in the traditional landscape painting as the research text, to sort out the literature, to study the form of the architecture from the perspective of image vision, to explore the composition of the ancient architectural module, and to explore the life scene and life mode at that time. Traceback to Chinese human settlements culture, from the architectural design and construction of human settlements, and many other aspects of the development of research. Based on the concept of ancient art cognition, this paper studies the relationship between architecture, human and natural environment, and the corresponding design logic sequence, and studies the architectural forms and existing states under the text of landscape painting and modules. From the perspective of art, the landscape painting with architectural image is collected and combed. The methods of multi-disciplinary fusion, such as architectural art, architectural history and architectural culturology, are adopted, and the theory of graphics and modules is used. Parameterized research theories and tools to carry out cross-disciplinary research on ancient architecture and traditional landscape painting, through the analysis of the architectural types and environment of the traditional landscape painting with architectural image of the past dynasties. This paper puts forward the way of image visual art cognition to study the ancient Chinese architecture under the traditional landscape painting aesthetic concept, and takes landscape painting as the cognitive medium to initiate the transformation of thinking paradigm, and to find a new innovative research method. Furthermore, the paper puts forward a new way of thinking about the study of ancient architecture, which provides an important reference and theoretical basis for the development of the study of ancient architectural form in the future.
【學(xué)位授予單位】：大連理工大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2016
【分類號】：J212;TU-092
，
本文編號：2149119
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