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莫蘭迪繪畫中形式的研究

發(fā)布時(shí)間:2018-07-26 20:48
【摘要】:喬治·莫蘭迪(Giorgio Morandi,1890—1964)是二十世紀(jì)前期現(xiàn)代繪畫史上的杰出畫家之一,同時(shí)它的繪畫語言及表現(xiàn)方式與我國傳統(tǒng)繪畫有些接近,所以東方畫家對他的繪畫形式有著極高的研究熱情和別樣的好感。莫蘭迪的創(chuàng)作形式同樣也影響著中國當(dāng)代的藝術(shù)發(fā)展,而他的藝術(shù)風(fēng)格在歐洲乃至世界藝術(shù)史上都成為個(gè)案,在西方繪畫史上也具有極高的研究價(jià)值。研究莫蘭迪繪畫形式的同時(shí)也解其平生的經(jīng)歷,發(fā)現(xiàn)他無論在繪畫的造詣上,還是他個(gè)人所散發(fā)的魅力都深深地吸引著我。他用一生的時(shí)間去考究單一的繪畫主題,反復(fù)的鉆研畫面的構(gòu)成形式,他淡定的行走著自己的藝術(shù)之路,為人謙遜、與世無爭、不為塵世間的繁華所迷惑,由于他這種清凈自然的為人方式,從而影響著他對藝術(shù)的追求。在他的創(chuàng)作作品中經(jīng)歷了不同時(shí)期的各種體驗(yàn),正因?yàn)檫@種經(jīng)歷使在他的畫面中所呈現(xiàn)出不同時(shí)期的各種繪畫形式。他不斷地汲取前人所總結(jié)的精華同時(shí)也結(jié)合著自身對藝術(shù)道路的體會,最終形成了屬于自己獨(dú)有的繪畫形式及理念影響著世人,讓觀者不約而同的在他畫作前停下了腳步,放松自己的心情,認(rèn)真的感受畫作帶給他們的那份寧靜。在他的創(chuàng)作后期作品中所呈現(xiàn)的繪畫形式已簡約到了極致,精神追求賦予畫作一種神秘而靜逸的氛圍。他不僅僅追求畫面中的具象,同時(shí)也達(dá)成了精神領(lǐng)域中更高的境界。文章立足于莫蘭迪的繪畫作品并結(jié)合其所處社會環(huán)境,通過不同時(shí)期的不同階段來描寫莫蘭迪繪畫構(gòu)成形式及個(gè)人風(fēng)格的形成特點(diǎn),再從莫蘭迪繪畫形式的趣味性入手多角度深刻的研究其繪畫語言,以便進(jìn)一步闡明其精神思想和審美志趣。
[Abstract]:Giorgio Morandi (1890-1964) is one of the outstanding painters in the history of modern painting in the early 20th century. Therefore, Oriental painters have a high degree of enthusiasm for his painting form and a different kind of goodwill. Morandi's creative form also affects the development of contemporary Chinese art, and his artistic style has become a case in the history of art in Europe and even the world, and has high research value in the history of western painting. Studying Morandi's painting form and understanding his life experience, I find that he has attracted me deeply both in his painting attainments and in his personal charm. He spent his whole life studying a single painting theme, repeatedly delving into the form of the composition of the picture, he calmly walked his own art road, humble, indifferent to the world, not confused by the prosperity of the world, His pursuit of art is influenced by his pure and natural way of being. He has experienced various experiences in different periods in his works, and because of this experience, he presents various painting forms of different periods in his paintings. He constantly absorbed the essence of his predecessors and combined with his own experience of the art road, and finally formed his own unique painting form and concept that influenced the world and made the audience stop in front of his paintings. Relax yourself and feel the serenity of the painting. In his later works, the painting form has been simplified to the extreme, the spiritual pursuit gives the painting a mysterious and quiet atmosphere. He not only pursues the concrete in the picture, but also achieves the higher realm in the spiritual field. Based on Morandi's painting works and the social environment, this paper describes the formation characteristics of Morandi's painting form and personal style through different stages in different periods. In order to further clarify his spiritual thought and aesthetic interest, the author studies Morandi's painting language from various angles and deeply from the interest of his painting form.
【學(xué)位授予單位】:內(nèi)蒙古師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2017
【分類號】:J205

【參考文獻(xiàn)】

相關(guān)期刊論文 前3條

1 劉笑敢;;天人合一:學(xué)術(shù)、學(xué)說和信仰——再論中國哲學(xué)之身份及研究取向的不同[J];南京大學(xué)學(xué)報(bào)(哲學(xué).人文科學(xué).社會科學(xué)版);2011年06期

2 董勤欣;;互融的繪畫空間——莫蘭迪晚期靜物作品的空間圖式解析[J];電影評介;2009年19期

3 董勤欣;;解析莫蘭迪繪畫空間圖式中的圖底互換[J];美術(shù)大觀;2008年05期



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