【摘要】：在社會文化取得世界性交流的今日,信息交融引領(lǐng)時代的巨大變化和發(fā)展,物質(zhì)利益充斥在各個角落。然而,對于藝術(shù)而言,回歸大自然,回歸藝術(shù)家內(nèi)心,回歸生命的本真尤為可貴。每一代藝術(shù)家都扎根于自己的成長環(huán)境和文化土壤,都在用敏銳的感覺把握著這個時代的脈搏,在油畫語言的探索和創(chuàng)新上不斷做著新的嘗試。在油畫風(fēng)景創(chuàng)作中,無論畫家選取什么樣的風(fēng)景作為繪畫內(nèi)容,無論采用什么樣的色彩、語言、情感傳達或表達方式,都受到他的生活經(jīng)歷、審美理想、個人情趣等主觀因素的潛移默化地支配。今天,繪畫的目的不再是對客觀世界的模仿、復(fù)制,而是借助繪畫作品把藝術(shù)家的情感通過特定的載體給予客觀化的表現(xiàn),即追求一種精神的真實。藝術(shù)家的情感是受地域風(fēng)俗和生活習(xí)慣影響的,藝術(shù)家對自己所鐘情的某一景象的特殊情感對其創(chuàng)作的影響是意義深遠的。 本文從作者的南北生活印記出發(fā),以記憶中的景象創(chuàng)作為主題,通過剖析個人的藝術(shù)實踐經(jīng)歷,對本人的創(chuàng)作進行梳理和探討,并重點探討照片為繪畫創(chuàng)作提供的靈感,以及本人的風(fēng)景創(chuàng)作向媒體性風(fēng)景轉(zhuǎn)變的可能性。歸結(jié)為一句話,藝術(shù)創(chuàng)作就是再現(xiàn)并重新創(chuàng)作出自己內(nèi)心世界的圖像。
[Abstract]:In the world of social and cultural exchanges today, information fusion leads to great changes and development of the times, material interests filled in every corner. However, for art, return to nature, return to the artist's heart, return to the true life is particularly valuable. Each generation of artists are rooted in their own growing environment and cultural soil, with a keen sense to grasp the pulse of this era, in oil painting language exploration and innovation continue to make new attempts. In oil painting landscape creation, no matter what kind of scenery the painter chooses as the painting content, no matter what color, language, emotional communication or expression, all of them are subjected to his life experience and aesthetic ideal. Subjective factors, such as personal interest, are subtly dominated. Today, the purpose of painting is no longer to imitate and copy the objective world, but to give the artist's emotion objective expression through a specific carrier, that is, to pursue a kind of spiritual reality. The artist's emotion is influenced by local customs and living habits, and the influence of the artist's special emotion on his creation is profound. Based on the impression of the author's north and south life, taking the scene creation in memory as the theme, through analyzing the personal artistic practice experience, this paper combs and probes into his creation, and focuses on the inspiration provided by the photo for the painting creation. And my landscape creation to the possibility of media landscape transformation. In a word, artistic creation is to recreate and recreate the image of one's inner world.
【學(xué)位授予單位】：云南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J204

【參考文獻】

相關(guān)期刊論文 前2條

1 黃專;;一個現(xiàn)代敘事者的多重世界[J];讀書;2009年11期

2 吳玉紅;;呂克·圖伊曼斯孤獨與虛靜的藝術(shù)世界[J];美術(shù);2009年03期

，

本文編號：2146753