現(xiàn)當代廣西少數(shù)民族題材人物畫作品研究
發(fā)布時間：2018-07-26 17:16
【摘要】：廣西身處百越之地,少數(shù)民族族群數(shù)量豐富,故有“百越之地”的美稱。時至今日,廣西境內(nèi)的部分山區(qū)還保留傳統(tǒng)的文化習俗與信仰,他們深厚獨特的文化內(nèi)涵體現(xiàn)在當?shù)氐奈璧�、服飾、建筑、生活等各個方面,呈現(xiàn)淳樸自然的民族異域風貌成為畫者們爭先表現(xiàn)的創(chuàng)作對象。廣西少數(shù)民族聚集地區(qū)吸引來自全國各地的畫者前往創(chuàng)作寫生,產(chǎn)生了許多廣西少數(shù)民族題材的人物畫優(yōu)秀作品,從一定角度呈現(xiàn)出廣西地區(qū)多姿多彩的風土人情面貌,同時對民族題材的創(chuàng)作也推動了廣西人物畫的發(fā)展。 在歷史的長河,表現(xiàn)少數(shù)民族風土人情的人物畫多伴隨以政治為目的的畫作,且民族選材上多以當時已經(jīng)形成鮮明民族特色的北方少數(shù)民族為主。新中國成立前的廣西政治混亂,經(jīng)濟蕭條,社會處在一片混沌之中,新中國成立后,中共中央肅清剿匪,為廣西人物畫發(fā)展開辟了一條道路,以廣西少數(shù)民族為題材的人物畫作品逐漸發(fā)展起來。本文分為四個章節(jié)對廣西民族題材人物畫進行分析。第一章分為兩個部分,第一部分講述新中國成立后廣西少數(shù)民族題材的人物畫發(fā)展以及現(xiàn)狀,通過對相關(guān)資料的采集,具體分析了發(fā)展過程中具有里程碑意義的幾個階段,以及每一階段相對應的全國社會背景。第二部分結(jié)合對廣西人物畫發(fā)展階段特點分析蘊含在作品中的廣西文化特點,重點闡述廣西地域文化特征對廣西人物畫作品的影響,是研究過程中不可或缺的內(nèi)涵,具有重要的意義。第二章講述廣西少數(shù)民族題材類型,分為兩個部分。第一部分是廣西人物畫題材可采集的創(chuàng)作資源,歸納總結(jié)得出廣西區(qū)域內(nèi)可采集資源特點并進行分類,使得第二部分創(chuàng)作類型特點清晰明了,對于大量的作品分析也能有一定的認識。第二部分與第三部分作為文章的重要章節(jié),列舉了數(shù)量豐富的相關(guān)作品,主要從內(nèi)容分析與主題思想相互交錯分析展示作品特色,圍繞廣西少數(shù)民族題材展開說明,結(jié)合作品內(nèi)容的文化背景立體展示作品的視覺效果。第三章通過講述三種表現(xiàn)手法的發(fā)展背景與特點,結(jié)合第二部分作品內(nèi)容分析作品的表現(xiàn)手法,為實踐創(chuàng)作提供指導方向。第四章也是文章的最后一部分作為研究成果對筆者創(chuàng)作實踐的影響,在研究過程中對主題思想的感受,對表現(xiàn)技法的借鑒還有筆者自身的實踐考察都是創(chuàng)作的重要組成部分,講述從初期學習人物畫到后期的獨立創(chuàng)作實踐,都懷抱對廣西民族風情的熱愛與對當?shù)孛褡鍌鹘y(tǒng)的崇敬。筆者從中領(lǐng)悟并實踐于自身的創(chuàng)作,希望能在廣西民族人物畫作品研究中越走越深,獲得更深層次的認識與理解,在理論與實踐的結(jié)合中構(gòu)建具有自身特色的藝術(shù)語言體系,為更好表現(xiàn)廣西民族風貌,推動民族題材人物畫作品貢獻自身微薄之力。
[Abstract]:Guangxi is located in the Baiyue area, the number of ethnic minorities is rich, so there is a "Baiyue Land" laudatory name. To this day, some mountain areas in Guangxi still retain traditional cultural customs and beliefs. Their profound and unique cultural connotations are embodied in various aspects of local dance, clothing, architecture, life, and so on. Presenting simple and natural exotic national features has become the creative object of the painters. The gathering areas of ethnic minorities in Guangxi attract painters from all over the country to create sketches, which have produced many excellent works of figure painting on the subject of Guangxi ethnic minorities, showing a variety of local customs and customs in Guangxi from a certain point of view. At the same time, the creation of national themes also promoted the development of Guangxi figure painting. In the long river of history, the figure painting that expresses the customs and customs of the minority nationalities is accompanied by the painting for the purpose of politics, and the ethnic selection is dominated by the ethnic minorities in the north who have formed the distinctive national characteristics at that time. Before the founding of New China, Guangxi was in political chaos, its economy was depressed, and society was in a state of chaos. After the founding of New China, the CPC Central Committee eliminated bandits and opened a way for the development of Guangxi's figure painting. The figure painting works of Guangxi ethnic minorities gradually developed. This article divides into four chapters to carry on the analysis to the Guangxi nationality theme figure painting. The first chapter is divided into two parts. The first part describes the development and current situation of figure painting of Guangxi minority theme after the founding of New China. Through the collection of relevant data, it analyzes the milestone stages in the process of development. And each stage corresponds to the national social background. In the second part, the author analyzes the cultural characteristics of Guangxi figure painting in the development stage of Guangxi figure painting. The emphasis is on the influence of Guangxi regional culture on the figure painting works of Guangxi, which is an indispensable connotation in the research process. It is of great significance. The second chapter describes the types of Guangxi minority theme, which is divided into two parts. The first part is the creation resources of Guangxi figure painting subject matter which can be collected, summarized and summarized the characteristics and classification of the collection resources in Guangxi region, making the second part of the creation type characteristics clear and clear. For a large number of works of analysis can also have a certain understanding. The second part and the third part, as important chapters of the article, enumerate a large number of related works, mainly from the content analysis and theme analysis of the interlaced analysis of the characteristics of the work, around the theme of Guangxi ethnic minorities, Combine the cultural background of the work to show the visual effect of the work. The third chapter describes the development background and characteristics of the three methods of expression, combined with the second part of the work content analysis of the performance of the work, for practical creation to provide guidance. The fourth chapter is also the last part of the article as the research results of the impact on the author's creative practice, in the research process of the theme of thought, the experience of performance techniques, as well as the author's own practical investigation is an important part of the creation. From the initial study of figure painting to the later independent creative practice, both embrace the love of Guangxi ethnic customs and respect for the local national traditions. The author understands and practices in his own creation, hoping to go deeper and deeper in the study of Guangxi's national figure painting works, to obtain a deeper level of understanding and understanding, and to build an artistic language system with its own characteristics in the combination of theory and practice. In order to better express Guangxi national style, promote the national theme figure painting works contribute their own modest strength.
【學位授予單位】：廣西師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J212
本文編號：2146717
[Abstract]:Guangxi is located in the Baiyue area, the number of ethnic minorities is rich, so there is a "Baiyue Land" laudatory name. To this day, some mountain areas in Guangxi still retain traditional cultural customs and beliefs. Their profound and unique cultural connotations are embodied in various aspects of local dance, clothing, architecture, life, and so on. Presenting simple and natural exotic national features has become the creative object of the painters. The gathering areas of ethnic minorities in Guangxi attract painters from all over the country to create sketches, which have produced many excellent works of figure painting on the subject of Guangxi ethnic minorities, showing a variety of local customs and customs in Guangxi from a certain point of view. At the same time, the creation of national themes also promoted the development of Guangxi figure painting. In the long river of history, the figure painting that expresses the customs and customs of the minority nationalities is accompanied by the painting for the purpose of politics, and the ethnic selection is dominated by the ethnic minorities in the north who have formed the distinctive national characteristics at that time. Before the founding of New China, Guangxi was in political chaos, its economy was depressed, and society was in a state of chaos. After the founding of New China, the CPC Central Committee eliminated bandits and opened a way for the development of Guangxi's figure painting. The figure painting works of Guangxi ethnic minorities gradually developed. This article divides into four chapters to carry on the analysis to the Guangxi nationality theme figure painting. The first chapter is divided into two parts. The first part describes the development and current situation of figure painting of Guangxi minority theme after the founding of New China. Through the collection of relevant data, it analyzes the milestone stages in the process of development. And each stage corresponds to the national social background. In the second part, the author analyzes the cultural characteristics of Guangxi figure painting in the development stage of Guangxi figure painting. The emphasis is on the influence of Guangxi regional culture on the figure painting works of Guangxi, which is an indispensable connotation in the research process. It is of great significance. The second chapter describes the types of Guangxi minority theme, which is divided into two parts. The first part is the creation resources of Guangxi figure painting subject matter which can be collected, summarized and summarized the characteristics and classification of the collection resources in Guangxi region, making the second part of the creation type characteristics clear and clear. For a large number of works of analysis can also have a certain understanding. The second part and the third part, as important chapters of the article, enumerate a large number of related works, mainly from the content analysis and theme analysis of the interlaced analysis of the characteristics of the work, around the theme of Guangxi ethnic minorities, Combine the cultural background of the work to show the visual effect of the work. The third chapter describes the development background and characteristics of the three methods of expression, combined with the second part of the work content analysis of the performance of the work, for practical creation to provide guidance. The fourth chapter is also the last part of the article as the research results of the impact on the author's creative practice, in the research process of the theme of thought, the experience of performance techniques, as well as the author's own practical investigation is an important part of the creation. From the initial study of figure painting to the later independent creative practice, both embrace the love of Guangxi ethnic customs and respect for the local national traditions. The author understands and practices in his own creation, hoping to go deeper and deeper in the study of Guangxi's national figure painting works, to obtain a deeper level of understanding and understanding, and to build an artistic language system with its own characteristics in the combination of theory and practice. In order to better express Guangxi national style, promote the national theme figure painting works contribute their own modest strength.
【學位授予單位】：廣西師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J212
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