【摘要】：經(jīng)濟(jì)全球化產(chǎn)生了多元文化的觀點(diǎn)，多元文化在為世界發(fā)展提供更好服務(wù)的同時(shí)也對(duì)各國的文化藝術(shù)發(fā)展帶來了機(jī)遇和挑戰(zhàn)。中國油畫在當(dāng)今國際文化藝術(shù)環(huán)境中的發(fā)展存在很多困難：文化困境、精神困境和藝術(shù)發(fā)展的困境。這些問題產(chǎn)生的原因是多方面的，最主要的就是多元化的世界文化環(huán)境和大流行文化的沖擊。而要解決這些問題的關(guān)鍵就在與中國油畫藝術(shù)語言的發(fā)展和創(chuàng)新，這依賴于中國油畫家對(duì)傳統(tǒng)文化精神的充分認(rèn)識(shí)、思想觀念的改變和素質(zhì)的全面提高。 中國油畫經(jīng)歷了百年的發(fā)展已經(jīng)取得了明顯的成績，但直到今天，油畫依然被看作是西方的藝術(shù)。這其中一個(gè)原因固然是因?yàn)槲鞣接彤嫷膫ゴ蟪删碗y以超越，然而，中國油畫缺乏自己的民族特色才是最主要的原因。在油畫藝術(shù)表現(xiàn)形式花樣翻新、邊界不斷拓展的今天，油畫藝術(shù)本土化的意義顯得尤為重要。只有建立起中國特色的油畫藝術(shù)語言體系，才能避免中國的油畫藝術(shù)像西方一樣走向邊緣末路。時(shí)代性、精神性和民族性必須同時(shí)具備，，中國的油畫藝術(shù)才能展現(xiàn)出本民族特有的文化品味和精神格調(diào)。
[Abstract]:The economic globalization has produced the multicultural viewpoint, the multiculturalism not only provides the better service for the world development, but also brings the opportunity and the challenge to the cultural and artistic development of the countries. There are many difficulties in the development of Chinese oil painting in the international cultural and artistic environment: cultural dilemma, spiritual dilemma and artistic development dilemma. The causes of these problems are various, the most important is the impact of the pluralistic world cultural environment and pandemic culture. The key to solve these problems lies in the development and innovation of Chinese oil painting art language, which depends on the Chinese oil painters' full understanding of the traditional cultural spirit, the change of ideas and the overall improvement of quality. Chinese oil painting has made remarkable achievements after a hundred years of development, but today, oil painting is still regarded as an art of the West. One of the reasons is that the great achievement of western oil painting is difficult to surpass, but the main reason is that Chinese oil painting lacks its own national characteristics. In the oil painting art expression form pattern renovation, the boundary unceasingly expands today, the oil painting art localization significance appears to be particularly important. Only by setting up the language system of oil painting with Chinese characteristics can we avoid the Chinese oil painting art going to the edge of the last road just like the west. The spirit and nationality of the times must be possessed at the same time, the Chinese oil painting art can show its own unique cultural taste and spiritual style.
【學(xué)位授予單位】：江西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J213

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 趙振華;;中國水彩畫時(shí)代精神淺議[J];美術(shù)界;2009年02期

本文編號(hào)：2146180