【摘要】：明末清初,李玉及其蘇州派在戲曲文壇名噪一時,“一人永占”為其代表作�！耙蝗擞勒肌敝浮兑慌跹贰度双F關(guān)》《永團(tuán)圓》和《占花魁》四部戲曲本。自其問世以來,深受市民大眾喜愛,版本眾多。通過對“一人永占”版本流變的細(xì)致梳理,以及比較插圖本和非插圖本的區(qū)別,從而明了流傳最廣,影響最深遠(yuǎn)的是明崇禎刊本。明崇禎刊本為戲曲插圖本,其插圖形制特點(diǎn)突出,主要版式是月光型圖�？静鍒D的藝術(shù)表現(xiàn)為俯視的移動視角、共時性的組合方式和精巧的插圖構(gòu)思。明崇禎刊本“一人永占”插圖在語言和圖像的轉(zhuǎn)換“縫隙”與差異性中呈現(xiàn)出獨(dú)特的互文性表達(dá),可分為:(一)刊本插圖的圖像敘事;(二)刊本插圖的時空融合;(三)刊本插圖的虛實呈現(xiàn)。這三個方面環(huán)環(huán)相扣,步步推進(jìn),層層深入。明崇禎刊本“一人永占”插圖的圖像傳播是一個值得關(guān)注的話題。對“一人永占”插圖的圖像傳播優(yōu)勢、圖像傳播途徑與功能,以及“一人永占”插圖的圖像傳播表現(xiàn)進(jìn)行分析,有助于我們在“語-圖”互文視閾中厘清明崇禎刊本“一人永占”插圖的深層次內(nèi)涵。
[Abstract]:In the late Ming and early Qing dynasties, Li Yu and his Suzhou School were famous in the opera world. "one Man forever" refers to the four opera books of "A Pun of Snow", "Man and beast", "forever reunion" and "Zhanhuakui". Since its inception, the public love, many versions. By carefully combing the evolution of the version of "one Man Forever" and comparing the differences between illustrations and non-illustrations, it is clear that the most widely circulated and far-reaching edition is the Chongzhen edition of the Ming Dynasty. Chongzhen edition of Ming Dynasty is an illustrative version of traditional Chinese opera, and its illustrations have prominent features, and the main typography is moonlight type. The artistic expression of the illustrations is the moving view of the overlooking, the synchronic combination and the ingenious conception of the illustrations. The illustrations of Chong Zhen (Ming Chongzhen) show unique intertextuality in the gap and difference between language and image. It can be divided into: (1) the image narrative of the illustrations; (2) the temporal and spatial fusion of the illustrations; (3) the fictitious presentation of the illustrations. These three aspects are closely linked, step by step, layer by layer. The image dissemination of the illustrations in Chongzhen edition of Ming Dynasty is a topic worth paying attention to. This paper analyzes the advantages of image transmission, the ways and functions of image transmission, and the image communication performance of "one person forever" illustrations. It is helpful for us to clarify the deep connotation of the illustrations of Chongzhen edition of Ming Dynasty from the perspective of intertextuality.
【學(xué)位授予單位】：江蘇師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J218.5

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