【摘要】：當代寫實油畫在世界藝術洪流中，已經(jīng)漸漸邊緣化了，然而在中國這片熱土卻煥發(fā)著別樣的生命力。在學習和創(chuàng)作過程中，在深刻感受當前中國寫實油畫強大的生命力的同時，也有一定的困惑。中國寫實油畫在當代蓬勃發(fā)展，有著多重原因，本文力圖從多方面深入探討，找到深層原因，通過各種原因的分析，找出中國寫實油畫面臨的問題，并預測中國寫實油畫未來可能的發(fā)展方向，為創(chuàng)作提供理論上的思考和支撐。本文的寫作思路是從寫實油畫的定義和發(fā)展概況，到寫實油畫存在的價值和意義，再到寫實油畫在中國當代蓬勃發(fā)展的原因，最后，論述寫實油畫存在的問題和未來發(fā)展方向。 本文的新論點在于，從中國傳統(tǒng)文化的美學思想中找出中國寫實油畫在當代蓬勃發(fā)展的原因。中國傳統(tǒng)文化的美學思想有儒、釋、道對“現(xiàn)實的關注，對生命的感悟，對自然美的追求”等，通過這些思想對于現(xiàn)實世界和情感世界真實性的關注，論述中國傳統(tǒng)文化對中國當代寫實油畫發(fā)展的影響。另外，從廣泛的意義上說，中國古代繪畫也有很多寫實因素，工筆繪畫就是其中的代表。中國傳統(tǒng)畫論中也有很多寫實因素的論述。中國傳統(tǒng)文化和傳統(tǒng)繪畫中寫實因素的影響，經(jīng)濟的發(fā)展和文化藝術交流的增加對寫實油畫的促進，大眾審美意識對繪畫的反作用，教育體系的完善和公共資源的開發(fā)的影響，都對寫實油畫的發(fā)展提供了有利條件，同時寫實油畫的發(fā)展也面臨很多挑戰(zhàn)。 現(xiàn)代藝術對寫實油畫的沖擊無疑是最大的。然而現(xiàn)代藝術在獲得思想解放和空前發(fā)展的同時，，卻也有著自身的不足。當藝術與生活的界限一再被打破，從傳統(tǒng)繪畫的相對性，改變?yōu)楝F(xiàn)代藝術的相對不確定性后，我們發(fā)現(xiàn)藝術創(chuàng)造在獲得巨大的無限的可能性的同時，也面臨著一場危機。現(xiàn)代藝術沒有像傳統(tǒng)繪畫那樣明確的限制性規(guī)則，它在觸及我們對于藝術欣賞的底線，自我傷害和傷害他人的行為藝術其實也在鞭打著人倫和道德的底線，拷問著我們的心靈，如果我們承認藝術創(chuàng)作是自由的，那么這種自由是否應該有某種底線，是否應該在藝術創(chuàng)作和藝術品的構成當中呈現(xiàn)一種對人類，對社會，對生命的一種積極向上，一種友善和尊重的藝術美。寫實繪畫在受到?jīng)_擊和打擊的同時，正在努力承擔著這一歷史任務。現(xiàn)代繪畫自身的問題引起人們警惕和反思。我們有理由相信寫實繪畫在今后依然有存在的基礎和廣闊的發(fā)展前景。
[Abstract]:Contemporary realistic oil painting has gradually been marginalized in the world art flood, but in China, this hot land is glowing with different vitality. In the process of study and creation, there are some puzzles while deeply feeling the strong vitality of Chinese realistic oil painting. There are many reasons for the vigorous development of Chinese realistic oil painting in the contemporary era. This paper tries to explore the deep reasons from many aspects and find out the problems that Chinese realistic oil paintings are facing through the analysis of various reasons. It also predicts the possible development direction of Chinese realistic oil painting in the future, and provides theoretical thinking and support for creation. The thinking of this paper is from the definition and development of realistic oil painting, to the value and significance of the existence of realistic oil painting, and then to the reasons for the flourishing development of realistic oil painting in contemporary China. Finally, it discusses the existing problems and future development direction of realistic oil painting. The new argument of this paper is to find out the reason why Chinese realistic oil painting flourishes in the contemporary era from the aesthetic thought of Chinese traditional culture. The aesthetic thoughts of Chinese traditional culture include Confucianism, Buddhism, Taoism, "the concern of reality, the feeling of life, the pursuit of natural beauty" and so on. Through these thoughts, attention is paid to the reality of the real world and the emotional world. This paper discusses the influence of Chinese traditional culture on the development of Chinese contemporary realistic oil painting. In addition, in a wide sense, ancient Chinese painting also has a lot of realistic factors, meticulous painting is one of the representatives. There are also many realistic factors in Chinese traditional painting theory. The influence of realistic factors in Chinese traditional culture and traditional painting, the economic development and the increase of cultural and artistic exchange to the promotion of realistic oil painting, the reaction of popular aesthetic consciousness to painting, the perfection of educational system and the development of public resources, Both provide favorable conditions for the development of realistic oil painting, at the same time, the development of realistic oil painting faces many challenges. The impact of modern art on realistic oil painting is undoubtedly the greatest. However, modern art has its own shortcomings while gaining ideological liberation and unprecedented development. When the boundary between art and life is broken again and again, from the relativity of traditional painting to the relative uncertainty of modern art, we find that artistic creation is faced with a crisis while obtaining enormous infinite possibility. Modern art does not have the definite restrictive rules of traditional painting, it touches the bottom line of our appreciation of art, the art of self-harm and the act of harming others is actually whipping the bottom line of human relations and morality, and torturing our hearts. If we recognize that artistic creation is free, then should there be some kind of bottom line in this freedom, should there be a kind of positive attitude towards human beings, to society, to life in the composition of art creation and art works? An artistic beauty of kindness and respect. Realistic painting in the impact and hit at the same time, is trying to undertake this historical task. The problems of modern painting itself arouse people's vigilance and introspection. We have reason to believe that realistic painting in the future still has a foundation and broad development prospects.
【學位授予單位】：河南大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J205

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本文編號：2132230