【摘要】：我們生活在一個無奇不有的大千世界里，隨著經(jīng)濟的不斷發(fā)展變化，人們不斷在生活中搜尋率真的審美情操。在經(jīng)濟繁榮昌盛的今天中國花鳥畫有當(dāng)今的發(fā)展，顯示出中國藝術(shù)家對花鳥的情有獨鐘，厚愛與睿智。中國花鳥畫主要表現(xiàn)大自然中的植物花草、畜禽鳥蟲，然而，繪畫中的花鳥與客觀自然中的花鳥草蟲完全不是一回事，是不同意義上的兩種形態(tài)，一種是客觀的無語言的自然物象，一種是主觀的有情的藝術(shù)語言。如果將客觀的自然形態(tài)，轉(zhuǎn)換為藝術(shù)語言，這就是一種創(chuàng)造，一種創(chuàng)新，一種經(jīng)過精心加工的畫面。生活是繪畫創(chuàng)作的源泉，藝術(shù)家中物象的形象都是從生活中搜集來的。寫生自然就是我們常說的師法自然，就是以大自然為師，經(jīng)過大腦的藝術(shù)處理再加上自己閱讀的書籍，把寫生來的東西深加工變成藝術(shù)的語言，這就是寫生。寫生是將臨摹的東西拿到自然生活中進(jìn)行藝術(shù)實踐，在自然生活中尋求創(chuàng)作靈感，創(chuàng)作激情。寫生是藝術(shù)家提高造型能力不斷堅持的手段，也是到生活中觀察、體驗、研究搜集生活素材的形式，為創(chuàng)作加工做準(zhǔn)備，為創(chuàng)作打基礎(chǔ)。 寫生需要作者對大自然有變幻莫測的物象、閱人心目的景物，千變?nèi)f化的自然規(guī)律，，傾心且動情。大自然中有著無窮的創(chuàng)作題材，大自然是美的源泉，取之不盡，用之不竭。畫家要深入生活，擁抱自然，親近自然，它會給你無窮無盡的想象力和創(chuàng)造力，它會使你的作品不斷的更新面貌，賦予你藝術(shù)創(chuàng)造的生命力。到大自然中觀察寫生要具備發(fā)現(xiàn)美的眼睛和表現(xiàn)美的造型能力，手眼并用缺一不可，這是經(jīng)過長期的深入生活體驗和藝術(shù)實踐磨練出來的。這種長期不斷的積累過程會慢慢的形成對美的認(rèn)識能力和審美的創(chuàng)造力，就會從平凡的生活中不斷發(fā)現(xiàn)可入畫的景與物，進(jìn)而表現(xiàn)出令人感動和震撼心靈的作品。 世界萬物皆有靈性，不同的物象各具備不同的特征。畫家要堅持到自然和生活中觀察寫生。春夏秋冬不同的季節(jié)，生成不同的景象，總是令人激動，由此不斷地認(rèn)識和感知，完成創(chuàng)作的過程是反映自己被感動的過程，這是畫家真情、真愛的自然流露。
[Abstract]:We live in a strange world, with the continuous development of the economy, people are constantly searching in life for frank aesthetic sentiment. In the economic prosperity of today's Chinese flower and bird painting has today's development, showing that Chinese artists have a special love for flowers and birds, love and wisdom. Chinese flower and bird paintings mainly represent plants, birds and animals in nature. However, the flowers and birds in painting are not the same thing as flowers and birds in objective nature. They are two different forms in different senses. One is an objective natural image without language, the other is a subjective and affectionate artistic language. If the objective natural form is transformed into artistic language, it is a creation, an innovation, a carefully processed picture. Life is the source of painting, the images of artists are collected from life. The nature of sketching is what we often say, that is, we use nature as a teacher, through the artistic processing of the brain and the books we read, we make the things from sketches deeply processed into the language of art, and this is the language of art. Sketching is to carry out artistic practice in natural life and to seek creative inspiration and passion in natural life. Sketching is not only a means for artists to improve their modeling ability, but also a means to observe and experience in life, to study the form of collecting living materials, to prepare for creation and processing, and to lay a foundation for creation. Sketching requires the author to have unpredictable things to nature, read people's mind of the scene, changing the laws of nature, love and emotion. There are endless creative themes in nature, nature is the source of beauty, inexhaustible, inexhaustible. Painters want to go deep into life, embrace nature, close to nature, it will give you endless imagination and creativity, it will make your work constantly update the face, give you the vitality of artistic creation. To observe sketches in nature we should have the ability to find beautiful eyes and display beauty, hand and eye are indispensable, this is after a long period of deep life experience and art practice honed out. This long-term accumulation process will slowly form the ability to understand beauty and aesthetic creativity, from the ordinary life will continue to find scenes and objects that can be painted, and then show a moving and heart-shaking works. All things in the world have spirituality and different images have different characteristics. Painters should persist in observing sketches in nature and in life. Different seasons, spring, summer, autumn and winter produce different scenes, which are always exciting, and thus constantly recognize and perceive. The process of completing the creation is a process that reflects the touch of oneself, which is the natural expression of the true feelings of the painter and the true love.
【學(xué)位授予單位】：新疆師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J212

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