本文選題：董莊 + 文人畫家　； 參考：《美術(shù)觀察》2016年04期

【摘要】：正"董莊繪畫"是以董立元為代表"茌平董莊中堂畫"的俗稱,19世紀(jì)中葉盛極一時(shí),作為魯西地方民間繪畫成為當(dāng)?shù)刂匾奈幕z產(chǎn)。通過對(duì)它的研究,能使我們管窺到19世紀(jì)末期,文人畫隨著經(jīng)濟(jì)的日漸衰落而失去了上層市場(chǎng),為了謀生,一些文人畫家只得轉(zhuǎn)向民間,尋求更廣泛意義上的受眾與市場(chǎng)。董立元這樣的文人畫家,在精英文化轉(zhuǎn)向民俗化的過程中起到重要引領(lǐng)和推廣作用。這一時(shí)期的文人繪畫無
[Abstract]:Dong Zhuang painting is the common name of Dong Liyuan's "Middle Tang painting of Dong Zhuang in Chiping" in the middle of the 19th century, and it became an important local cultural heritage as local folk painting in the west of Shandong Province. Through the study of it, we can see that literati painting lost its upper market with the decline of economy in the late 19th century. In order to make a living, some literati painters had to turn to folk to seek a wider audience and market. The literati painters like Dong Liyuan played an important role in leading and popularizing the process of elite culture turning to folklore. There was no literati painting in this period.
【作者單位】： 山東聊城大學(xué);
【基金】：2014年度山東省高校人文社科研究計(jì)劃項(xiàng)目,編號(hào):J14WJ61
【分類號(hào)】：J205
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本文編號(hào)：2095458