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《花間集》與洛可可式油畫的比較研究

發(fā)布時間:2018-07-03 14:16

  本文選題:花間集 + 洛可可式繪畫 ; 參考:《遼寧師范大學(xué)》2014年碩士論文


【摘要】:自《花間集》問世,就憑借獨特的藝術(shù)風(fēng)格奠定了其文學(xué)史上的地位。對它的研究,歷來多從創(chuàng)作藝術(shù)、音樂、創(chuàng)作群體等角度展開,并取得了豐碩成果。本文從錢鐘書先生以風(fēng)格論詩的說法中受到啟發(fā),,詩可按風(fēng)格論,那么藝術(shù)是否也可按風(fēng)格論?蘇軾評價王維“詩中有畫,畫中有詩”,中國山水詩和山水畫的詩畫相通的藝術(shù)理論在學(xué)界已經(jīng)有了眾多成果。西方學(xué)術(shù)界早期亦認(rèn)為詩畫相通,直至18世紀(jì)《拉孔奧》以后才把詩畫分論,始強調(diào)兩者的獨立和不同。中國的詩畫有一致之處,那么中國的《花間集》與西方的洛可可式油畫是否也有藝術(shù)風(fēng)格的共同之處?《花間集》用語言為讀者構(gòu)建了一個色彩繽紛的畫境,而法國洛可可式油畫運用生動的紛繁色彩,把生活場景定格成藝術(shù)的瞬間。雖然兩者分屬于不同的藝術(shù)領(lǐng)域,有各自表現(xiàn)藝術(shù)的方式,但是二者在產(chǎn)生背景、創(chuàng)作風(fēng)格、創(chuàng)作群體等方面有諸多共同之處,本文以此展開分析兩者的藝術(shù)共通性與不同之處,以及對后世的影響等諸方面,并探討背后的原因。
[Abstract]:Since the publication of the Flower Collection, it has established its position in the history of literature by virtue of its unique artistic style. The research on it has always been carried out from the angles of creative art, music and creative groups, and has achieved fruitful results. This paper is inspired by Mr. Qian Zhongshu's argument that poetry can be described by style, so can art be based on style? Su Shi appraised Wang Wei, "there are paintings in poems and poems in paintings". The art theory of Chinese landscape poetry and landscape painting has already made a lot of achievements in academic circles. The early western academic circles also thought that poetry and painting were interlinked, and only after the 18th century, did they divide poetry and painting, emphasizing the independence and difference between the two. There are some similarities in Chinese poetry and painting, so is there any common artistic style between the Chinese Flower Collection and the Western Rococo Oil painting? the Flower interiors set up a colorful painting environment for the readers in language. French Rococo-style oil painting uses vivid and complicated colors to freeze the life scene into an artistic moment. Although they belong to different fields of art and have their own ways of performing art, they have many things in common in terms of the background, the style of creation, the group of creation, and so on. This paper analyzes the similarities and differences between them and their influence on later generations, and discusses the reasons behind them.
【學(xué)位授予單位】:遼寧師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2014
【分類號】:I207.23;J213


本文編號:2093929

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