本文選題：情感投入 + 藝術(shù)語(yǔ)言的表達(dá)�。� 參考：《新疆師范大學(xué)》2017年碩士論文

【摘要】：情感的投入在油畫(huà)作品中有著非常重要性的作用。一幅沒(méi)有情感投入的畫(huà)作就像沒(méi)有生命力的樹(shù)木。我們?cè)谧鳟?huà)過(guò)程中不管是選擇題材內(nèi)容還是在選擇色彩的表達(dá)時(shí)或是在通過(guò)造型傳達(dá)時(shí),這些眾多因素都是通過(guò)藝術(shù)語(yǔ)言展示來(lái)傳遞情感。情感的投入潛移默化的滲透在整個(gè)創(chuàng)作過(guò)程中。一幅優(yōu)秀的油畫(huà)作品中肯定包含了極豐富的情感投入。就像寫(xiě)文章中的修辭手法,每個(gè)藝術(shù)家都有各自不同形式的藝術(shù)語(yǔ)言來(lái)表達(dá)自己的想法因此創(chuàng)作是極具個(gè)性并且獨(dú)立的。那么怎么通過(guò)強(qiáng)化藝術(shù)語(yǔ)言的表達(dá)來(lái)抒發(fā)對(duì)人物的情感投入。文中對(duì)油畫(huà)中的情感投入分為兩方面,一是對(duì)人物的生活背景以及性格和直觀(guān)帶給我們的感受的深入了解,只有深入了解了人物本身才能在通過(guò)繪畫(huà)形式更好的展現(xiàn)給大家。二是在展現(xiàn)的過(guò)程中我們可以很主觀(guān)的選擇用什么藝術(shù)語(yǔ)言來(lái)描繪出我所了解觀(guān)察的這個(gè)人物的特點(diǎn)或樸實(shí)或華麗的本質(zhì)。通過(guò)對(duì)藝術(shù)語(yǔ)言和情感表達(dá)關(guān)系的分析和理解讓我們?cè)谝院蟮膭?chuàng)作中更好地把握藝術(shù)語(yǔ)言的運(yùn)用,在不斷的學(xué)習(xí)和努力中去研究探索從而尋找出屬于自己的藝術(shù)語(yǔ)言。油畫(huà)語(yǔ)言以表現(xiàn)油畫(huà)創(chuàng)作中的內(nèi)容為目的,因此本文最后一部分結(jié)合自己的實(shí)踐討論了強(qiáng)化藝術(shù)語(yǔ)言的表達(dá)在作畫(huà)中的重要性。油畫(huà)語(yǔ)言種類(lèi)繁多的今天,我們?cè)谧分�、尋找、探索帶有自己�?biāo)簽的個(gè)性化語(yǔ)言的同時(shí),時(shí)刻要懷揣真情實(shí)感,帶著對(duì)藝術(shù)的熱愛(ài)去創(chuàng)作,我們的個(gè)性化語(yǔ)言才會(huì)更富生命力與表現(xiàn)力。
[Abstract]:Emotional input plays a very important role in oil painting. A painting without emotion is like a tree without vitality. In the process of painting, whether we choose the subject matter, the expression of color or the expression of color, these factors transmit emotion through artistic language display. The input of emotion permeates the whole creation process. An excellent oil painting must contain a great deal of emotional input. Like rhetorical devices in writing, each artist has his or her own artistic language to express his or her ideas, so creation is highly individualized and independent. So how to strengthen the expression of artistic language to express the emotional input of the characters. The emotional input in the oil painting can be divided into two aspects. One is the deep understanding of the living background of the characters and the feelings brought to us by character and intuitionistic. Only by deeply understanding the characters themselves can they be better displayed through the form of painting. Second, in the process of presentation, we can choose what artistic language to use to describe the characteristics of the character I understand and observe, or the simple or gorgeous nature. Through the analysis and understanding of the relationship between artistic language and emotional expression, we can better grasp the use of artistic language in the future creation, and continue to study and explore in order to find out their own artistic language. The purpose of oil painting language is to show the content of oil painting, so the last part of this paper discusses the importance of strengthening the expression of art language in painting. Today, there are many kinds of oil painting language, we are chasing, searching and exploring the individualized language with our own label. At the same time, we should always have a true feeling and create with a love of art. Our personalized language will be more dynamic and expressive.
【學(xué)位授予單位】：新疆師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：J213

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 周頤;;繪畫(huà)形式與形式美探析[J];藝術(shù)研究;2005年04期

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