本文選題：《文苑圖》 + 韓�。� 參考：《美與時(shí)代(下)》2016年02期

【摘要】：北京故宮博物院藏有宋徽宗題"韓文苑圖丁亥御札"《文苑圖》一幅。世人多知韓善畫(huà)畜獸如《五牛圖》,這幅技藝高妙的人物圖使人特別留意。徐邦達(dá)在《琉璃堂人物圖與文苑圖的關(guān)系》一文中認(rèn)為,《文苑圖》實(shí)非唐代韓所作,或疑為周文矩《琉璃堂人物圖》之一部分。事實(shí)上,徐邦達(dá)這一說(shuō)法仍有值得商榷之處。題為唐韓的《文苑圖》畫(huà)面特征多呈現(xiàn)唐末風(fēng)貌,使用顫筆也非僅周文矩才行,故不能說(shuō)《文苑圖》為五代周文矩《琉璃堂人物圖》之局部。
[Abstract]:Beijing the Palace Museum has the title of Song Huizong, "Han Wen Yuan Tu Ding Hai Yu Za" A Wen Yuan Picture. The world knows more about Han Shan's painting of animals such as the five Bulls, a masterful figure drawing that makes people pay special attention to it. In "the relationship between the figures of Liulitang and Wenyuan", Xu Bangda holds that the "pictures of Wenyuan" are not actually written by Han in Tang Dynasty, or are suspected to be part of Zhou Wenmoment's "Liulitang figures". In fact, Xu Bangda's claim remains open to question. The picture features of Wen Yuan, entitled Tang Han, often show the style of the end of Tang Dynasty, and the use of shiver pen is not only used by Zhou Wenmoment. Therefore, it can not be said that Wen Yuan Picture is a part of Zhou Wenmoment and Liulittang figures of the five dynasties.
【作者單位】： 南京藝術(shù)學(xué)院美術(shù)學(xué)院;
【分類(lèi)號(hào)】：J212

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