本文選題：當代 + 湖北　； 參考：《華中師范大學》2014年碩士論文

【摘要】：當代湖北寫意重彩畫是在多元文化的背景下發(fā)展起來的,地域元素突出,秉承了楚文化的浪漫主義元素,扎根傳統(tǒng)中國藝術之精髓,寫意性重彩為其藝術形式主要特征之一,但是其內涵遠不止于其字面意義。對中西藝術兼容并蓄,游走于傳統(tǒng)與現(xiàn)代之間,色彩的大量引入顛覆了傳統(tǒng)水墨的用色法則,而色彩構成與表現(xiàn)更是突破傳統(tǒng)重彩畫的面貌,在當代中國畫中具有重要地位。 本文是以個案研究為主要方法,通過圖像作品的分析和總結,階段性的探究當代湖北寫意重彩畫的色彩表現(xiàn),以期能指導自己的創(chuàng)作并對當代湖北寫意重彩畫現(xiàn)階段的作品色彩特征及其色彩創(chuàng)作理念進行的梳理和總結。 第一章是對當代湖北寫意重彩畫色彩的概述：對當代寫意重彩畫概念的鑒定；對當代多元文化語境下的中國畫創(chuàng)作現(xiàn)狀分析,以探究當代湖北寫意重彩畫色彩表現(xiàn)的時代背景及其產生的時代意義；對湖北寫意重彩畫的歷史發(fā)展和現(xiàn)階段呈現(xiàn)的基本面貌概述,了解當代湖北寫意重彩畫的基本成型過程；對當代湖北寫意重彩畫色彩創(chuàng)作理念的簡要概述是對當代湖北寫意重彩畫發(fā)展到現(xiàn)階段的創(chuàng)作理論總結,以了解當代湖北寫意重彩畫的色彩所呈現(xiàn)的狀態(tài)。 第二章是對中國傳統(tǒng)繪畫與當代湖北寫意重彩畫的比較研究,從色彩的角度分析當代湖北寫意重彩畫對傳統(tǒng)中國畫的繼承與拓展。當代湖北寫意重彩畫繼承了傳統(tǒng)重彩畫的色彩特性,對傳統(tǒng)重彩畫的色彩理念和色彩技法進行了再認識和再創(chuàng)造。同時解放了傳統(tǒng)對于色彩的束縛,色彩情感的解放、色彩筆墨的重置、色彩技法上的突破創(chuàng)新,開拓了全新的審美空間。 第三章是該論文的重點章節(jié),對當代湖北寫意重彩領域的代表畫家朱振庚、鐘孺乾、聶干因、戴少龍的個案研究和作品分析。將其色彩表現(xiàn)的特點歸為四點：1.保持民族文化傳統(tǒng)之精神,汲取民間藝術之精華,再賦予現(xiàn)代性的轉換。2.消解傳統(tǒng)重彩的固定模式,從傳統(tǒng)美學的理性理念中突破出來,理性地借鑒外來藝術,強調色彩視覺的張力。3.重視對制作的實驗性探索。4.強調當代重彩的個性表現(xiàn),以更加自由、寬泛的心態(tài)確立自己的探索角度和實驗空間。通過對其色彩的表現(xiàn)進行研究,并分析其當代意義,以把握當代湖北寫意重彩畫的色彩表現(xiàn)概貌。 第四章是自我實踐經歷的總結,通過自身對當代湖北寫意重彩畫的技巧和理念進行實踐性的嘗試,有意識的摻入自己的思想和元素,是對當代湖北寫意重彩畫創(chuàng)作理念和色彩實踐的再體驗,同時也是自己學習實踐過程中的經驗之談。
[Abstract]:The contemporary Hubei freehand painting is developed under the multicultural background, with prominent regional elements, the romantic elements of the Chu culture, the essence of traditional Chinese art, and one of the main features of its artistic form, but its connotation is far more than its literal meaning. Between tradition and modernity, a large number of colors have been introduced to subvert the color law of traditional Chinese ink and ink, and the color composition and performance are more breakthrough in the traditional heavy color painting, which has an important position in Contemporary Chinese painting.
This article is based on the case study as the main method, through the analysis and summary of the image works, to explore the color performance of the contemporary Hubei freehand painting, with a view to guiding his own creation and combing and summarizing the color features and the color creation ideas of the works at the present stage of the contemporary Hubei freehand color painting.
The first chapter is the overview of the contemporary Hubei freehand color painting color: the identification of the concept of contemporary freehand heavy color painting, the analysis of the present situation of Chinese painting in the contemporary multicultural context, in order to explore the times background and the significance of the times of the color expression of the contemporary Hubei freehand color painting; the historical development and the development of Hubei's freehand color painting. A summary of the basic features presented at this stage, the basic forming process of the contemporary Hubei freehand color painting; the brief overview of the contemporary Hubei freehand color painting color creation concept is the summary of the contemporary Hubei freehand color painting development to the present stage, in order to understand the state of the color of the contemporary freehand color painting in Hubei.
The second chapter is the comparative study of Chinese traditional painting and contemporary Hubei freehand color painting. From the point of view of color, it analyzes the inheritance and expansion of the traditional Chinese painting of contemporary Hubei freehand painting. The contemporary Hubei freehand color painting inherits the color characteristics of the traditional heavy color painting, and makes a recognition of the color concept and color techniques of the traditional heavy color painting. At the same time, it liberated the tradition of the shackles of color, the emancipation of color emotion, the reset of color and ink, the breakthrough and innovation of color techniques, which opened up a new aesthetic space.
The third chapter is the key chapter of this paper. The representative painter Zhu Zhengeng, Zhong and Nie, Nie dry, Dai Shaolong's case study and the analysis of the works in the contemporary Hubei. The characteristics of the color performance are classified as four points: 1. keep the spirit of the national cultural tradition, draw the essence of the folk art, and then give the transformation of the modern nature to.2.. The fixed pattern of traditional heavy color is broken out from the rational idea of traditional aesthetics, rationally drawing on foreign art, emphasizing the tension of color vision.3., emphasizing the experimental exploration of the production by.4., emphasizing the personality of contemporary heavy color, and establishing its own exploration angle and experimental space with a more free and broad mentality. To study the performance and analyze its contemporary significance, so as to grasp the general expression of color in contemporary Hubei freehand brushwork.
The fourth chapter is a summary of the experience of self practice. Through his own practical attempt at the techniques and ideas of the contemporary Hubei freehand painting, a conscious addition of his own thoughts and elements is a re experience of the creative ideas and color practice of the contemporary Hubei freehand painting, and the experience in the process of learning and practice.
【學位授予單位】：華中師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J212

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本文編號：2080151