本文選題：研究周期 + 文化知識(shí)�。� 參考：《民族藝術(shù)》2017年01期

【摘要】：正2016年度國(guó)家社科基金藝術(shù)學(xué)重點(diǎn)項(xiàng)目"宋畫(huà)創(chuàng)作的文化原境考察",項(xiàng)目負(fù)責(zé)人:顧平,批準(zhǔn)號(hào):16AF004,研究周期:2016年9月1日至2019年12月31日。本選題圍繞宋畫(huà)創(chuàng)作的文化原境,以"創(chuàng)作者"作為切入點(diǎn),考量宋代文化以何種方式與宋畫(huà)發(fā)生關(guān)聯(lián),從而避免了單純從作品出發(fā)的"科學(xué)"推理與"影響"猜想。其意義表現(xiàn)為:第一,選擇宋畫(huà)創(chuàng)作主體為考察對(duì)象,實(shí)現(xiàn)宋畫(huà)創(chuàng)作"情境"的還原,可清晰窺視歷史深處的現(xiàn)象特征、圖像哲學(xué)與文化
[Abstract]:The National Social Science Foundation's key art project of 2016, "the Cultural Origin of Song painting creation", is headed by Gu Ping, Grant No. 16AF004, the research cycle is September 1, 2016 to December 31, 2019. This topic revolves around the original cultural background of the Song painting creation, takes "the creator" as the breakthrough point, considers in what way the Song Dynasty culture and the Song painting takes place the connection, thus avoids the "scientific" inference and the "influence" conjecture which simply starts from the work. Its significance is as follows: first, select the main body of Song painting creation as the object of investigation, realize the restoration of the "situation" of Song painting creation, can clearly peep at the phenomenon characteristics, image philosophy and culture in the history depth.
【分類(lèi)號(hào)】：J212
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本文編號(hào)：2075623