本文選題：《海上花列傳》 + 視像�。� 參考：《文藝研究》2017年10期

【摘要】：在中國小說插圖史上,晚清韓邦慶小說《海上花列傳》之吳友如派插圖是一個(gè)被忽視卻又非常重要的小說插圖文本。其不僅數(shù)量宏富,繪制精細(xì),且緊跟近代中國的視覺文化生產(chǎn)和視像變革進(jìn)程,在傳播媒介及模式、繪畫技法、文圖關(guān)系、視像旨趣等各方面均不同于以往,不僅塑造了小說插圖再現(xiàn)世界的新機(jī)制,構(gòu)建了相對(duì)科學(xué)、客觀的觀看方式,而且拓展了傳統(tǒng)的文圖關(guān)系,創(chuàng)造了都市化的視覺表意系統(tǒng),使得中國小說插圖的現(xiàn)代風(fēng)格開始呈現(xiàn)�？梢哉f,正是這一插圖文本,真正開啟了中國小說插圖的都市圖像敘事,催發(fā)了傳統(tǒng)小說插圖在近代中國的視像變革,并對(duì)其后晚清民國小說插圖中的都市圖像敘事產(chǎn)生了深遠(yuǎn)影響。
[Abstract]:In the history of illustrations of Chinese novels, Wu Youru's illustrations in Han Bangqing's novels of the late Qing Dynasty were neglected but very important. It is not only rich in quantity and fine in drawing, but also closely following the process of visual culture production and visual transformation in modern China. It is different from the past in the media and mode of communication, painting techniques, text and picture relations, visual purport, etc. It not only shapes the new mechanism of reproducing the world of the novel illustrations, but also builds a relatively scientific and objective viewing mode, and expands the traditional text and picture relationship, and creates a visual ideographic system of urbanization. So that the modern style of illustrations in Chinese novels began to appear. It can be said that it is this illustration text that really opens the urban image narration of the illustrations in Chinese novels and prompts the video transformation of the illustrations of the traditional novels in modern China. It also has a profound influence on the urban image narration in the later Qing and Republic novels.
【作者單位】： 廣州大學(xué)人文學(xué)院;
【基金】：教育部人文社會(huì)科學(xué)研究項(xiàng)目青年基金“近現(xiàn)代中國都市圖像敘事研究——以上海為中心”(批準(zhǔn)號(hào):16YJCZ H007)成果
【分類號(hào)】：J218.5
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本文編號(hào)：2075460