本文選題：皴法 + 宋畫之皴�。� 參考：《美術(shù)研究》2017年06期

【摘要】："皴"的本義是指皮膚質(zhì)感和衣服縐紋,后來發(fā)展成為中國(guó)山水畫的專用名詞,即"皴法"。本文旨在考證唐末五代之際,代表北派山水畫的斧劈皴與南派山水畫的披麻皴之起源,以及降至宋、元,各家皴法之流變;并以皴法為脈絡(luò),考察各家?guī)煶信c畫格,從而質(zhì)證自唐至清中國(guó)山水畫的演變和發(fā)展規(guī)律。
[Abstract]:The original meaning of "chapped" refers to the skin texture and crepe of clothing, and later developed into a special term for Chinese landscape painting, that is, "chapping method". The purpose of this paper is to verify the origin of axe cleavage on behalf of northern landscape painting and southern landscape painting on the occasion of the late Tang and five dynasties, as well as the evolution of various chapping methods to Song and Yuan dynasties, and to investigate each teacher's inheritance and painting pattern in the context of chapping method. Thus cross-examination from the Tang to the Qing Dynasty Chinese landscape painting evolution and development law.
【分類號(hào)】：J212

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