本文選題：意象表現(xiàn)主義油畫 + 意境��； 參考：《浙江師范大學(xué)》2013年碩士論文

【摘要】：油畫是個(gè)舶來品,從它傳入中國就存在著與中國傳統(tǒng)文化相結(jié)合的任務(wù)。經(jīng)過一代又一代人的努力,中國意象表現(xiàn)主義油畫逐漸發(fā)展起來。目前,國內(nèi)有相當(dāng)一批人在進(jìn)行意象表現(xiàn)主義油畫的創(chuàng)作與研究,他們分別從不同的方面對意象表現(xiàn)主義油畫進(jìn)行了定位。本文是從中國傳統(tǒng)美學(xué)思想———意境論的角度,從中華民族傳統(tǒng)的審美價(jià)值論的角度闡述意象表現(xiàn)主義油畫在中國的一個(gè)發(fā)展脈絡(luò),探討意境在意象表現(xiàn)主義油畫中的體現(xiàn)。同時(shí)列舉了幾位畫風(fēng)迥異但在作品當(dāng)中都滿含傳統(tǒng)東方神韻的中國畫家,如趙無極、尚揚(yáng)、徐福厚、劉南一、段正渠、侯吉明、陳子君等,通過分析畫家的代表作品解讀畫家們背后對傳統(tǒng)東方美學(xué)的深刻體悟與美學(xué)追求。在后半部分對意象表現(xiàn)主義油畫繪畫在現(xiàn)今國際、國內(nèi)發(fā)展的潮流態(tài)勢的展望及通過自己親身的創(chuàng)作體悟來切身感悟意境在意象表現(xiàn)主義油畫中的創(chuàng)造體現(xiàn),最后總結(jié)意表繪畫的誕生與發(fā)展是符合人們審美的期待的,意表繪畫的發(fā)展是的必然趨勢,對意象表現(xiàn)主義油畫未來的發(fā)展充滿期待。
[Abstract]:Oil painting is an import, from its introduction into China there is a combination of traditional Chinese culture. After generations of efforts, Chinese imagery expressionism oil painting gradually developed. At present, there are quite a number of people in our country are doing the creation and research of image expressionism oil painting, they have carried on the localization of the image expressionism oil painting from different aspects respectively. This article is from the Chinese traditional esthetics thought-the artistic conception theory angle, from the Chinese nation tradition esthetic value angle elaboration image expressionism oil painting in China a development vein, discusses the artistic conception in the image expressionism oil painting embodiment. At the same time, it lists several Chinese painters with different styles of painting but who are full of traditional oriental charm in their works, such as Zhao Wuji, Shang Yang, Xu Fuhou, Liu Nanyi, Duan Zhengqu, Hou Jiming, Chen Zijun, and so on. By analyzing the representative works of the painters, we can understand the deep understanding and aesthetic pursuit of the traditional Oriental aesthetics behind the painters. In the latter part, the author looks forward to the trend of the international and domestic development of imagery expressionism oil painting and the creative embodiment of artistic conception in image expressionism oil painting through his own creation and understanding. Finally, it is concluded that the birth and development of Italian table painting is in line with people's aesthetic expectations, and the development of Italy table painting is an inevitable trend, full of expectations for the future development of imagery expressionism oil painting.
【學(xué)位授予單位】：浙江師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J213

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 汪裕雄;;意象與中國文化[J];中國社會(huì)科學(xué);1993年05期

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本文編號(hào)：2073972