本文選題：太行山 + 山水畫��； 參考：《湖南師范大學(xué)》2016年碩士論文

【摘要】：在創(chuàng)作中國山水畫的過程中,其中,非常重要的影響因素就是地域文化,地域文化的不同也會(huì)創(chuàng)作出不同風(fēng)格面貌的作品,這些作品也不盡相同。自二十世紀(jì)八十年代以來,在中國山水畫的創(chuàng)作與研究中,以太行山為主題的題材開始成為當(dāng)今畫壇上的具有視覺感染力的美術(shù)作品。在對太行山的寫生和創(chuàng)作過程中我慢慢認(rèn)識(shí)到,藝術(shù)的創(chuàng)作是必須要立足于寫生,然后以此為基礎(chǔ)創(chuàng)作出別具一格的富有地域文化特點(diǎn)的作品。本文是以創(chuàng)作報(bào)告的形式,對以太行山為主題的山水畫作品的研究,并結(jié)合自己在寫生中搜集的素材進(jìn)行歸納和總結(jié)的創(chuàng)作總結(jié)。通過我對太行山的實(shí)地寫生考察,并參鑒名家創(chuàng)作的關(guān)于太行山的作品,詳述了太行山的山水概念和大致概況。使得我能更加深刻和詳細(xì)的理解到太行山的地域特征和豐富的文化內(nèi)涵。《太行秋靜》的創(chuàng)作,是著重表現(xiàn)了太行山的雄偉氣勢和太行山秋的靜為創(chuàng)作的主題,在創(chuàng)作中結(jié)合自己對藝術(shù)語言的理解和運(yùn)用,對山水畫中的山石、樹木、溪水的構(gòu)圖、筆法、墨法做了進(jìn)一步概括,是理論和實(shí)踐經(jīng)驗(yàn)的結(jié)合。追求筆法和墨法的特別創(chuàng)新,尤為重要的是在創(chuàng)作中逐步挖掘出太行山水內(nèi)在的深意,在畫面中表現(xiàn)出現(xiàn)代人對山水藝術(shù)理想的追求。
[Abstract]:In the process of creating Chinese landscape painting, one of the most important factors is the regional culture, the different regional culture will also create different styles of works, these works are not the same. Since the eighties of the 20th century, in the creation and research of Chinese landscape painting, the theme of Taihang Mountain has become the visual appeal of art works in the painting world. In the process of painting and creating Taihang Mountain, I slowly realized that artistic creation must be based on sketching, and then based on it, I created works with unique regional cultural characteristics. This paper is based on the form of creative report to Taihang Mountain as the theme of landscape painting works, and combined with their own sketching materials collected to sum up and summarize the creation of summary. Through my field painting survey of Taihang Mountain and the famous writers' works on Taihang Mountain, this paper expounds the concept and general situation of Taihang Mountain. So that I can have a deeper and more detailed understanding of the regional characteristics and rich cultural connotations of the Taihang Mountains. The creation of "Taihang Qiujing" focuses on the majestic momentum of the Taihang Mountains and the autumn quiet of the Taihang Mountains. Combined with his own understanding and application of artistic language in his creation, the composition, writing and painting of rocks, trees, streams and rivers in landscape painting are further summarized, which is the combination of theory and practical experience. In pursuit of the special innovation of brushwork and ink, it is particularly important to gradually dig out the deep meaning of Taihang Mountain and water in the creation, and to show the modern people's pursuit of the artistic ideal of landscape in the picture.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：J212

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本文編號(hào)：2073517