本文選題：主觀色彩 + 發(fā)展��； 參考：《西北師范大學(xué)》2014年碩士論文

【摘要】：主觀色彩作為油畫創(chuàng)作中的表現(xiàn)特征,必然具備其自身的本質(zhì)屬性和發(fā)展規(guī)律。它是創(chuàng)作主體對(duì)客觀事物審美構(gòu)思的主觀表現(xiàn),對(duì)畫家表達(dá)內(nèi)心情感和精神實(shí)質(zhì)起著極為重要的作用。黑格爾說(shuō)：“色彩能夠?qū)⒂彤嬛袣忭嵣鷦?dòng)的頂點(diǎn)反映的淋漓盡致”。在油畫創(chuàng)作中，色彩是一種重要的表現(xiàn)手段，用主觀色彩來(lái)塑造形體是油畫的本質(zhì)。本文以主觀色彩語(yǔ)言的歷史作為基本理論基礎(chǔ)，闡述了色彩演變的過(guò)程。通過(guò)剖析油畫創(chuàng)作中主觀色彩的特征及代表人物、油畫創(chuàng)作中色彩表達(dá)與情感之間的關(guān)系，，進(jìn)一步明確了主觀色彩在油畫創(chuàng)作中的應(yīng)用的實(shí)質(zhì)。
[Abstract]:Subjective color, as the characteristic of oil painting creation, must have its own essential attribute and development law. It is the subjective expression of the aesthetic conception of objective things by the creative subject and plays an extremely important role in expressing the inner emotion and spiritual essence of the painter. Hegel said, "Color can reflect the vivid vertex of oil painting incisively and vividly." In oil painting, color is an important means of expression. It is the essence of oil painting to use subjective color to shape form. Based on the history of subjective color language, this paper expounds the process of color evolution. By analyzing the characteristics and representatives of subjective color in oil painting creation, the relationship between color expression and emotion in oil painting creation, the essence of the application of subjective color in oil painting creation is further clarified.
【學(xué)位授予單位】：西北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J213

【參考文獻(xiàn)】

相關(guān)期刊論文 前3條

1 李艷霞;;色彩和情感在油畫創(chuàng)作中的重要性[J];大眾文藝;2010年04期

2 周勝洪;;淺談?dòng)彤媱?chuàng)作中的主觀性色彩[J];美術(shù)教育研究;2010年04期

3 張嘉琪;;淺議色彩在油畫創(chuàng)作中的藝術(shù)表現(xiàn)力[J];美術(shù)教育研究;2011年02期

本文編號(hào)：2070314